回忆-被人看见的独白

Sangyoon Lee, Andrea N. Baldwin, Heidi Henderson
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引用次数: 0

摘要

《回忆-被看见的独白》是基于姿势肖像计划(PPP)的第三代互动媒体装置。PPP是一个跨学科项目,研究历史上如何通过科学干预和监督创造/制造身体,同时涉及所有身体的包容性概念,包括那些传统上被视为“他者”的身体。为了做到这一点,我们追溯了健康主义的发展——在17世纪早期的现代美国大学中,对某些规范的强化,将“健康”构建为道德和纯洁,将“不健康”构建为外来和污染——以及它与19世纪末至20世纪美国优生学运动的关系。我们通过研究所谓的“姿势画像”来探索这些意识形态是如何在高等教育中为创造新的纪律和监视技术而动员起来的。这些照片是在20世纪20年代至60年代在全国各地的学院和大学拍摄的,被用作衡量能力和良好姿势的标准,在当时,这与智力、美貌和“正常”的含义有关。这种不当行为的大部分证据都被从档案中清除了,就好像它从未发生过一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Reminiscence - The Monologues of Being Seen
The Reminiscence - The Monologues of Being Seen is the third-generation interactive media installation based on the Posture Portraits Project (PPP). PPP is an interdisciplinary project which examines how bodies have historically been created/made through scientific interventions and surveillance while simultaneously engaging with the concept of inclusivity of all bodies including those traditionally seen as "Other." To do so, we trace the development of healthism - the reinforcement of certain norms that construct the "healthy" as moral and pure and the "unhealthy" as foreign and polluted - in the modern American university which dates back to the early 17th century, and its relationship to the U.S. eugenics movement in the late 19th to 20th century. We explore how these ideologies were mobilized in the service of creating new disciplining and surveillance technologies in higher education by examining the case of what is known as "the posture portraits." These portraits, taken at colleges and universities across the nation during the 1920s-1960s, were used as a measurement of ability and good posture, which at that time, was linked to intelligence, beauty, and what it meant to be "normal." Most evidence of this malpractice was purged from the archives as if it had never happened.
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