土耳其神话世界中的“我们和他们”:他性是属于另一个世界的标志

D. Saikeneva
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引用次数: 0

摘要

在文化中存在着一种普遍现象——“我们-他们”的对立,这已成为形成关于世界二元结构的观念的最重要因素之一。突厥民族神话思维中的这种对立反映了“我们”和“他们”的观念,人与自然、与“野生”空间的相互作用。“野性”空间属于地下世界,那里住着所有的邪恶。为了避免黑社会居民的有害影响,土耳其人创造了各种“自己”领土的标记和“自己”人的视觉代码。在这部作品中,作者试图通过理解“我们”和“他们”的视觉特征(符号),来澄清一些传统上与残疾人交往的禁忌。本文根据突厥民族的口述传统和禁忌,描述了突厥民间传说中“我们”和“他们”的视觉形象。结构符号学和比较方法的运用,使得将人的视觉形象作为土耳其传统文化中“正常”的主要标准成为可能。一些禁忌的现代解释没有找到一个合乎逻辑的解释,这是因为文化遗忘是传统礼仪在任何时候都存在的一个紧迫问题,由于新时代的影响,原有的思想失去了原有的意义,并与新的解释相结合,导致对文化的认知扭曲。因此,对突厥民族文化符码的研究是重新思考突厥民族传统及其标志性内容的重要阶段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
«Us and them» in mythopoetic world of Turks: otherness as a sign of belonging to the other world
In culture there is a universal phenomenon - the opposition "us - them", which has become one of the most important elements in the formation of ideas about the binary structure of the world. This opposition in the mythical thinking of Turkic peoples reflects the concept of "us" and "them", the interaction of man with nature, with the "wild" space. To the "wild" space belonged the underworld, where all evil lived. To avoid the harmful influence of underworld inhabitants, Turks have created all kinds of markings of "own" territory and visual code of "own" person. In this work, the author tries to understand the visual characteristics (symbols) of "us" human and "them" to clarify some traditional taboos on interaction with people with physical disabilities. Based on the oral tradition and prohibitions of Turkic peoples, the article describes visual images of "us" and "them" in Turk folklore. The application of structural-semiotic and comparative methods makes it possible to consider the visual image of a person as the main criterion of "normality" in the traditional culture of the Turks. The modern interpretation of some prohibitions does not find a logical explanation, which is due to the fact that cultural oblivion is a pressing problem in traditional etiquette at all times, as the original ideas lose their original meaning due to the influence of new times and are combined with a new interpretation, which leads to a distortion of the perception of culture. Therefore, the study of the cultural code of Turkic peoples is an important stage in rethinking the traditions and their iconic content.
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