恋爱中的赫尔墨斯

J. Farrell
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引用次数: 0

摘要

作为一个情人,赫尔墨斯通常被认为可以与其他男性神相媲美。他所感知到的与脑髓的联系只会强化这种印象。然而,在文学作品中,赫尔墨斯的情爱活动的特征不同于其他神。一般来说,正如人们所预料的那样,他依靠的是潜行而不是武力,他经常满足于扮演次要角色,为其他人物的爱情冒险提供便利。事实上,在大多数情况下,赫尔墨斯可以说是在升华自己的性取向,以支持别人的性取向,这往往表明他对同性社会关系的兴趣大于对性征服的兴趣。这些趋势在古代、古典和希腊化对赫尔墨斯的描述中都很明显,它们以一种基本一致的、几乎可以预测的方式发展,从古典罗马人对墨丘利的处理一直到相当晚的文本,这些文本成为中世纪接受古典古代的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hermes in Love
As a lover, Hermes is generally regarded as comparable to other male divinities. His perceived connection to ithyphallic herms only strengthens this impression. In literature, however, the character of Hermes’ erotic activity is different from that of other gods. In general, as might be expected, he relies on stealth rather than force, and he is often content to play a secondary role by facilitating the amorous adventures of other figures. In fact, Hermes can be said in most cases to sublimate his own sexuality in favor of someone else’s, often in a way that bespeaks his own greater interest in homosocial bonding than in sexual conquest. These tendencies are clearly visible in archaic, classical, and Hellenistic representations of Hermes, and they develop in generally consistent and almost predictable ways through classical Roman treatments of Mercury down to quite late texts that become foundational for the medieval reception of classical antiquity.
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