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Dance and Theatre Review Pub Date : 2019-09-02 DOI:10.24821/dtr.v2i1.3299

Aminatul Fadilla

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引用次数: 1

摘要

本研究旨在分析Wayang巨兽从出生开始到Kiagus Wirawan与Sanggar Sri巨兽(2019)所带来的存在动态。因此，为了更专注，选择Bambang Dharmojati的样本是为了对Wayang巨港的表演进行概述。本研究采用定性方法和民族志方法进行。在研究过程中发现，Wayang巨兽舞是一种典型的起源于Wayang Purwa的艺术。自从达鲁萨兰国巨港苏丹国崩溃以来，这种艺术开始在社区中生存和为人所知。在Wayang巨港有三个非常强大的文化元素，即Melayu巨港，爪哇和Cirebon。大阳巨港今天经历了观众兴趣的下降。这一现象引发了一些根本性的问题:Wayang巨港是如何表演的，Sanggar Sri巨港是如何生存的，以及为什么观众对它的兴趣减少了。为此，采用了Hausers, Tomars和Wolff的理论，即一个地方的社会变迁会根据当时社区的社会形态呈现出独特的艺术更新，然后采用Kernodle的结构化和纹理理论来分析表演的形式，从而能够呈现出对感兴趣的偏好表演的诠释。在此基础上，运用斯科特的理论对生存之道进行了分析，认为斗争和生存的努力包括公开的和隐蔽的形式抵抗。这项研究的结果表明，今天的Wayang巨港表演仍然是非常经典的性质，导致公众需求和演出场地的可用性之间存在差异。然而，为了维持它的存在，嘉古斯威拉万和桑格斯里巨港将永远独立举行Wayang巨港表演，而不关心观众的数量。关键词:大阳巨港;表演，社会，桑格斯里巨港;Bambang Dharmojati

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Wayang Palembang Dalam Lakon Bambang Dharmojati oleh Dalang Kiagus Wirawan Bersama Sanggar Sri Palembang

This study aimed to analyzing the dynamics of the existence of the Wayang Palembang from the beginning of birth until that brought by Kiagus Wirawan with Sanggar Sri Palembang nowaday (2019). So, to be more focused, Bambang Dharmojati’s sample was chosen in order to give an overview of the Wayang Palembang performance. This research was conducted using qualitative methods and ethnographic approaches. During the process of research found that Wayang Palembang is a typical art that originated from Wayang Purwa. This art began to live and be known in the community since the collapse of the Palembang Darussalam sultanate. There were three very strong cultural elements in the Wayang Palembang, namely the Melayu Palembang, Java and Cirebon. Wayang Palembang today was experiencing a decline in audience interested. This phenomenon raises fundamental questions about how the Wayang Palembang performance, how Sanggar Sri Palembang survives and why it has decreased audience interested. For this reason, Hausers, Tomars and Wolff’s theories were used which said that social change in a place will present a unique art renewal in accordance with the social patterns of the community at that time, then Kernodle’s structured and textured theory was used to analyzing the form of performances to be able to presenting interpretations of interested preferences show. Furthermore, the way to survive is analyzed by Scott’s theory which said that efforts to fight and survive consist of open and hidden form resistance. The results of this study indicated that the Wayang Palembang performance today was still very classical in nature, resulting in a difference between public demand and the availability of performance space. However, to maintain its existence, Kiagus Wirawan and Sanggar Sri Palembang will always hold Wayang Palembang performances independently and do not care about the number of spectators.Keywords: Wayang Palembang; performance, society, Sanggar Sri Palembang; Bambang Dharmojati

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Dance and Theatre Review

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