Dance and Theatre Review最新文献

The Phenomenon of Religious Intolerance in Indonesia As a Source of Creation in GAMA-A? #2 Dance Works 印尼的宗教不宽容现象是gama的创作源泉?舞蹈作品

Dance and Theatre Review Pub Date : 2023-06-27 DOI: 10.24821/dtr.v6i1.9292

Rines Onyxi Tampubolon

{"title":"The Phenomenon of Religious Intolerance in Indonesia As a Source of Creation in GAMA-A? #2 Dance Works","authors":"Rines Onyxi Tampubolon","doi":"10.24821/dtr.v6i1.9292","DOIUrl":"https://doi.org/10.24821/dtr.v6i1.9292","url":null,"abstract":"“GAMA-A? #2” is a work that exists to respond to the realities of life regarding cases of religious intolerance in Indonesia. Cases of religious intolerance are seen as a problem in understanding the essence of the function and meaning of religion. This paper will describe the creative process of forming ideas, concepts, and forms of work originating from the phenomenon of religious intolerance. The creative process begins with reading the problem through the phenomenological method which will help the dance choreographer understand the meaning of various events and human interactions in the phenomenon of religious intelligence in Indonesia. The conclusion of the interpretation of the reality of this problem will be used as the basis for composing a dramatic work which is divided into five scenes by presenting elements from the six religions recognized in Indonesia. The work on the visual form of the work will go through the Alma M. Hawkins Creation Method (Exploration, Improvisation, and Composition) by working on large group dances, with 12 interfaith dancers consisting of six men and six women. The presence of this work aims to answer the problem of cases of religious intolerance in Indonesia to maintain unity in the concept of diversity by creating solidarity based on harmonious humanity. Keywords: Religion, Intolerance, Group Dance Fenomena Intoleransi Agama Di IndonesiaSebagai Sumber Penciptaan dalam Karya Seni Tari GAMA-A? #2Oleh Rines Onyxi Tampubolon, S.Sn, M.SnProgram Studi Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Maritim Raja Ali Haji ABSTRAK“GAMA-A? #2” merupakan karya yang hadir untuk merespon realitas kehidupan tentang kasus intoleransi agama yang ada di Indonesia. Kasus intoleransi agama dipandang sebagai permasalahan dalam pemahaman essensi dari fungsi dan makna agama. Tulisan ini akan menjabarkan proses kreatif pembentukan ide, konsep, dan wujud karya yang bersumber dari fenomena intoleransi agama. Proses kreatif dimulai dengan membaca permasalahan lewat metode fenomenologi yang akan membantu penata tari dalam memahami makna dari berbagai peristiwa dan interaksi manusia dalam fenomena inteloransi agama di Indonesia. Simpulan interpertasi dari realita permasalahan ini yang akan dijadikan landasan dalam menyusun dramatik karya yang dibagi menjadi lima adegan dengan menghadirkan elemen-elemen dari enam agama yang diakui di Indonesia. Penggarapan wujud visual karya akan dilalui dengan Metode Penciptaan Alma M.Hawkins (Eksplorasi, Improvisasi, dan Komposisi) karya garap tari kelompok besar, dengan jumlah penari 12 orangpenari lintas agama yang terdiri dari enam orang laki-laki dan enam orang perempuan. Kehadiran karya ini bertujuan menjawab persoalan kasus intoleransi agama di Indonesia untuk menjaga persatuan dan kesatuan dalam konsepkebinekaan dengan cara menciptakan solidaritas berdasarkan kemanusiaan yang harmonis.Kata Kunci : Agama, Intoleransi, Tari Kelompok","PeriodicalId":209109,"journal":{"name":"Dance and Theatre Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130236418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kajian Hasil Rekonstruksi Tari Opak Abang di Kabupaten Kendal

Dance and Theatre Review Pub Date : 2023-06-27 DOI: 10.24821/dtr.v6i1.9337

Anggun Ida Mawadda, I. W. Dana

引用次数: 0

Analisis Bentuk Penyajian Kesenian Dikir Kepri Bermadah Oleh Sanggar Saidina Ali, Pulau Lengkang

Dance and Theatre Review Pub Date : 2023-06-27 DOI: 10.24821/dtr.v6i1.7177

Feri Yansyah

引用次数: 0

Rekonstruksi Dramaturgi Soekarno dalam Drama Rainbow: Poetri Kentjana Boelan

Dance and Theatre Review Pub Date : 2023-06-27 DOI: 10.24821/dtr.v6i1.9244

Ikhsan Satria Irianto

引用次数: 0

Pengembangan Mamaca di Pamekasan Madura sebagai Penguatan Harmoni Kehidupan Sosial mame卡桑的发展促进了社会生活的和谐

Dance and Theatre Review Pub Date : 2022-01-11 DOI: 10.24821/dtr.v4i2.6454

Supadma Supadma, I. W. Dana

{"title":"Pengembangan Mamaca di Pamekasan Madura sebagai Penguatan Harmoni Kehidupan Sosial","authors":"Supadma Supadma, I. W. Dana","doi":"10.24821/dtr.v4i2.6454","DOIUrl":"https://doi.org/10.24821/dtr.v4i2.6454","url":null,"abstract":"The Development of Mamaca in Pamekasan Madura as Strengthening Harmony of Social Life. This study aims to develop one of the traditional performing arts, namely Mamaca in Pamekasan Regency, Madura Island, which is abandoned, especially by the local younger generation. Mamaca, which emphasizes the nobility of values and norms in its form and implementation, is capable of strengthening the nation’s character and the harmony of social life. Thus, this research is an effort to reconstruct local cultural and community values. Seeing its essential role, this research on Mamaca will be carried out in three years. Mamaca presents the values of local wisdom and uses the hermeneutic approach. The reinforcement is designed in the form of new Mamaca choreography according to the spirit of the times. It also reflects the will of the supporting community but still does not leave its primary source. The design of the form of presentation is based on an emic and ethical point of view, namely using a choreographic approach by involving the ideas of local artists or actors. The “new” Mamaca choreography was introduced to students of several elementary schools, as well as to existing performing arts groups. By introducing and teaching it to young children, it is hoped that the stronger and longer roots will be planted for growth. Its introduction and application are followed up by contesting it to motivate others in arts and to promote it to a broader audience, Mamaca can be developed outside its original area, but with similar traditional performing arts. Based on this plan, further development of choreography is also designed to be taught to children and adapted to their distribution area.Keywords: mamaca; Pamekasan Madura; local wisdom; national character;social harmony","PeriodicalId":209109,"journal":{"name":"Dance and Theatre Review","volume":"2012 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125991029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Postdramatik: Dramaturgi Teater Indonesia Kontemporer

Dance and Theatre Review Pub Date : 2022-01-11 DOI: 10.24821/dtr.v4i2.6450

Afrizal Harun, Kurniasih Zaitun, Susandro Susandro

{"title":"Postdramatik: Dramaturgi Teater Indonesia Kontemporer","authors":"Afrizal Harun, Kurniasih Zaitun, Susandro Susandro","doi":"10.24821/dtr.v4i2.6450","DOIUrl":"https://doi.org/10.24821/dtr.v4i2.6450","url":null,"abstract":"Postdramatic: The Dramaturgy of Contemporary Indonesian Theater. The research attempts to explain a new possibility in theatre practice in Indonesia, which was initially formed through the power of words in the form of dialogue depicted in drama scripts. Since then, there was another tendency which was a matter of fact, in the early 1920s, for which Antonin Artaud initiated. Various terms have been used to describe new trends in the dramaturgy of Indonesian theatre since the 1970s up to now, such as cutting-edge theatre, avant-garde theatre, experimental theatre, body theatre, visual/visual theatre, postmodern theatre, contemporary theatre, and so on. Therefore, the appearing terms show doubts in determining the identity of the currently developing Indonesian theatre. This study aims to explain the potential for postdramatic theatre works that have been performed by Indonesian theatre directors, such as WS Rendra, Putu Wijaya, Boedi S. Otong, Dindon WS, Rahman Sabur, Yudi A Tajudin, including Yusril with a Postdramatic theatre approach. This research method is dominated by literature studies that take references such as books, journal-based articles, and online and printed media. The results of the study indicate that postdramatic dramaturgy in the practice of theatre in Indonesia is necessary from the spirit of the times that formed it, including the possibility of creating a new form of post-dramatic theatre developing in the current era of the Covid-19 pandemic.Keywords: postdramatic; dramaturgy; theatre; Indonesia; contemporary","PeriodicalId":209109,"journal":{"name":"Dance and Theatre Review","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129087924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Bedaya Duradasih, Sebuah Ekspresi Budaya pada Masa Sunan Pakubuwana III-IV di Keraton Surakarta 日惹角角市苏南巴布瓦纳四世时期的文化表达

Dance and Theatre Review Pub Date : 2022-01-11 DOI: 10.24821/dtr.v4i2.6452

Indah Nuraini, Supriyanti Supriyanti

{"title":"Bedaya Duradasih, Sebuah Ekspresi Budaya pada Masa Sunan Pakubuwana III-IV di Keraton Surakarta","authors":"Indah Nuraini, Supriyanti Supriyanti","doi":"10.24821/dtr.v4i2.6452","DOIUrl":"https://doi.org/10.24821/dtr.v4i2.6452","url":null,"abstract":"Bedaya Duradasih: A Cultural Expression During the time of Sunan Pakubuwana III-IV in the Surakarta Palace. Bedaya Duradasih is a form of bedaya dance created at the Surakarta Palace. Its creator was Sunan Pakubuwana IV who at that time, still had the title of Kanjeng Gusti Pangeran Adipati Anom. Sunan Pakubuwana IV was a king who had a very significant artistic spirit, so it cannot be denied that artistic and cultural life was very flourishing during his reign. Bedaya Duradasih was one of the cultural expressions at that time. The created expression was inspired by the mood of being infatuated/falling in love with the Madurese princess. Looking at the words Duradasih and Madura can be connected with several opinions regarding the meaning of the word Duradasih. It is said that Duradasih derived from the words Dura and dasih, which mean a woman from Madura. Then it is also mentioned from the words Dara and dasih, which means girl/virgin who brings happiness. Furthermore, it is interpreted from the words Dora and dasih, which means lying for political interests at that time, which ended up with a love affair. From these descriptions, it can be concluded that Bedaya Duradasih reflects one of the cultural expressions.Keywords: bedaya; Surakarta; expression","PeriodicalId":209109,"journal":{"name":"Dance and Theatre Review","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131788250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Bilah Berputar sebagai Media Pembelajaran Olah Tubuh untuk Melatih Gerak dalam Pengendalian Diri 叶片旋转作为一种体育学习媒介来训练运动的自我控制

Dance and Theatre Review Pub Date : 2022-01-11 DOI: 10.24821/dtr.v4i2.6451

Sarjiwo Sarjiwo

{"title":"Bilah Berputar sebagai Media Pembelajaran Olah Tubuh untuk Melatih Gerak dalam Pengendalian Diri","authors":"Sarjiwo Sarjiwo","doi":"10.24821/dtr.v4i2.6451","DOIUrl":"https://doi.org/10.24821/dtr.v4i2.6451","url":null,"abstract":"The Rotating Blades as the Learning Media of Body Exercise to Train Movement in Self-Control. This study aims to reveal how media (blades) becomes the learning media of body exercises to train motion in self-control. This research is experimental research by giving treatment to research subjects. The treatment was carried out in three stages: (1) The study subjects adapted to the blades moving freely for 2 minutes; (2) the research subjects improvised motion freely while rotating the blades for 2 minutes; and (3) the research subjects improvised movement freely while turning the blades consciously to control themselves for 2 minutes. The motion process in the first, second, and third treatments was observed as the data for analysis. The observation was conducted by interviewing the research subjects. The results showed that in the first treatment, the blades that the research subjects rot hit the body, hitthe floor, and slack ropes accumulated twelve times. In the second treatment, the research subjects rotated the blades hitting the body, hitting the floor, and the slack ropes were cumulatively 21 times. And in the third treatment, the blades were rotated by the research subjects hitting the body, hitting the floor, and the slack ropes accumulated seven times. The research results indicate that if the free movement is not controlled, the possibility of an accident is more significant (21 times). Meanwhile, if the movement is controlled, the case of an accident is more minor (7 times).Keywords: rotating blade; body exercise; self-control","PeriodicalId":209109,"journal":{"name":"Dance and Theatre Review","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131889796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Unsur Tenaga Gerak dan Penerapannya pada Tari Seudati: Proses Kreatif di Sanggar Aneuk Metuah, Aceh Besar

Dance and Theatre Review Pub Date : 2022-01-11 DOI: 10.24821/dtr.v4i2.6453

Sabri Gusmail, Prastika Dewi Nugra

{"title":"Unsur Tenaga Gerak dan Penerapannya pada Tari Seudati: Proses Kreatif di Sanggar Aneuk Metuah, Aceh Besar","authors":"Sabri Gusmail, Prastika Dewi Nugra","doi":"10.24821/dtr.v4i2.6453","DOIUrl":"https://doi.org/10.24821/dtr.v4i2.6453","url":null,"abstract":"The Element of Motion and Its Application in Seudati Dance: The Creative Process at Aneuk Metuah Studio, Aceh Besar. This article is the research result which was conducted in Aceh Besar, which led to training activities to solve problems that occurred in the Aneuk Metuah Studio. The problem with the studio is about the dancers’ body resistance when dancing the Seudati dance, namely that the dancers get tired quickly, which impacts the quality of the dance movement. The program is oriented towards increasing creativity in managing the energy element when dancing the Seudati traditional dance. This type of research is qualitative research using the action research method (action research). The researcher identified specific problems and determined actions as solutions to these problems. Furthermore, the research refers to the construction method of creating dance in Jacqueline Smith’s book, translated by Ben Suharto, entitled Dance Composition: A Practical Guide for Teachers. The stages of activity include observation, determination of focus and preparation of training materials, transfer of materials, the performance of the Seudati dance, and evaluation of activities. The action is carried out in the form of training in the management of the energy element when dancing the Seudati dance. The material is delivered through audiovisual media and demonstrates it. Based on the process and the research results, it is found that the potential for the sustainability of the creative process can be carried out by the children of Aneuk Metuah studio in every training process in the future. It is hoped that this activity will have a long-term impact on the trainees in managing the elements of movement energy when dancing and increasing the artistic creativity in the studio.Keywords: dance; training; elements of motion; Seudati","PeriodicalId":209109,"journal":{"name":"Dance and Theatre Review","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133788654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Situs Megalitik Tutari sebagai Sumber Inspirasi Penciptaan Koreografi Site-Specific “Tutari MegArt Lithic”

Dance and Theatre Review Pub Date : 2021-06-13 DOI: 10.24821/dtr.v4i1.5457

Sri Rustiyanti

{"title":"Situs Megalitik Tutari sebagai Sumber Inspirasi Penciptaan Koreografi Site-Specific “Tutari MegArt Lithic”","authors":"Sri Rustiyanti","doi":"10.24821/dtr.v4i1.5457","DOIUrl":"https://doi.org/10.24821/dtr.v4i1.5457","url":null,"abstract":"The Tutari Megalithic Site is a large stone age civilization site located in Doyo Lama Village, Waibu District, Jayapura Regency, Papua. Visually, on this site, there are stones with various motifs of prehistoric paintings on them. However, if it is studied in-depth, primarily through the perspective of choreography, this site has a broad potential to be a source of inspiration for creating works of art. Collaborating with previous research from the Papua Archeology Center, the creation of this Tutari MegArt Lithic artwork is focused on specific parts of the Tutari Megalithic site that can be used as inspiration for creating artworks. The method used in this writing is descriptive analysis. The purpose of this paper is to provide an overview of how choreography can collaborate across disciplines in the creation of works of art staged at the Tutari archaeological site. This paper describes the sources of inspiration for creating site-specific choreographic works of art entitled Tutari MegArt Lithic, including visual inspiration, artistic inspiration and idea inspiration.Keywords: Tutari Megalithic Site; site-specific choreography; source of inspiration; painting motive","PeriodicalId":209109,"journal":{"name":"Dance and Theatre Review","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127586013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0