生活档案:通过合作,共同创造和学生参与促进本科水平的纺织品设计研究

Kerri Akiwowo, Lucy Dennis, George W. Weaver, G. Bingham
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引用次数: 0

摘要

英国莱斯特郡的收藏资源中心(CRC)强调通过计算机辅助设计(CAD)方法重塑服装历史,时尚和纺织品档案,作为视觉丰富和物质充满活力的探索性调查的跳板。该项目将历史文物与创造性的数字技术结合在一起,通过实践者的研究来重新定义过去的时装/纺织品。本研究的重点是从高等教育的综合数字实践角度研究纺织品设计,与本科阶段的学习和教学有关。档案被用作辅助研究的基本教学基础-视觉,历史和背景;观察;动手实验;并以调查档案为教学法设计论证。总体目标是通过探索数字工具、方法、技术、过程和参数的调色板,梳理出新的发现,这些发现可能导致获得与学术界和工业界相关的新知识、技能和设计创新。这是通过拉夫堡大学为期10周的学生奖学金计划实现的,该计划实现了:学生和教职员工以及学生和档案馆之间的机构和外部合作;师生共同创造;通过学生参与与项目相关的外部组织、机构、地点、人员、事件和媒体。采用协作和跨学科的方法框架支持档案“有生命”的概念,基于对选定档案项目的初步研究,探索和数字解释,从而产生了艺术创意,CAD开发,技术查询和科学实验的综合组合。因此,建立了一个在学术背景下进行动态设计研究的环境。研究过程由学术和技术人员的参与、经验和专业知识证实,同时从学生的角度鼓励自主。这指导了研究,并帮助确定了超出本项目范围的进一步工作的潜在领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Living Archive: Facilitating Textile Design Research at Undergraduate Level Through Collaboration, Co-Creation and Student Engagement
Abstract With an emphasis on reinventing dress histories through a computer-aided design (CAD) approach, fashion and textiles archive, The Collections Resource Centre (CRC) in Leicestershire, United Kingdom, was utilised as the springboard for a visually rich and materially vibrant exploratory investigation. The project married historical artefacts with creative digital technologies in order to redefine fashion/textile objects from the past through practitioner-research. The study focused on textile design research from an Integrated Digital Practice perspective within Higher Education, in relation to learning and teaching at undergraduate level. The archive was employed as a fundamental pedagogical basis to aid research – visual, historical and contextual; observational; hands on experimentation; and design demonstration by investigating archives as pedagogy. The overarching aim was to tease out novel findings by exploring a palette of digital tools, methods, techniques, processes and parameters that may lead to the acquisition of new knowledge, skills and design innovation relevant to academia and industry. This was achieved through a 10-week student bursary scheme at Loughborough University that enabled: institutional and external collaboration between the student-and-staff and the student-and-archive; student-staff co-creation; and by the student engaging with outside organisations, institutions, places, people, events and media relevant to the project. Employing a collaborative and interdisciplinary methodological framework supported the concept of the archive as “having life”, based on the initial study, exploration and digital interpretation of selected archival items which resulted in a comprehensive portfolio of artistic ideas, CAD developments, technical enquiry and scientific experimentation. As such, an environment which enabled a dynamic design-research study within a scholarly context was established. The research process was substantiated by the involvement, experience and expertise of academic and technical staff whilst encouraging autonomy from a student perspective. This steered the research and helped to identify potential areas for further work beyond the scope of this project.
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