{"title":"莎士比亚“典范”的回声","authors":"A. Blunt","doi":"10.2307/750102","DOIUrl":null,"url":null,"abstract":"T o the modern reader the dialogue between the poet and the painter in the first scene of Timon of Athens is above all a brilliant analysis of professional rivalry; but for the educated man of Shakespeare's day it had overtones which can now only be reconstructed by a conscious effort and with the aid of scholarship. The audience of that time would not have regarded it simply as a casual conversation between two","PeriodicalId":410128,"journal":{"name":"Journal of the Warburg Institute","volume":"442 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1939-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"An Echo of the \\\"Paragone\\\" in Shakespeare\",\"authors\":\"A. Blunt\",\"doi\":\"10.2307/750102\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"T o the modern reader the dialogue between the poet and the painter in the first scene of Timon of Athens is above all a brilliant analysis of professional rivalry; but for the educated man of Shakespeare's day it had overtones which can now only be reconstructed by a conscious effort and with the aid of scholarship. The audience of that time would not have regarded it simply as a casual conversation between two\",\"PeriodicalId\":410128,\"journal\":{\"name\":\"Journal of the Warburg Institute\",\"volume\":\"442 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1939-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Warburg Institute\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/750102\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Warburg Institute","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/750102","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
T o the modern reader the dialogue between the poet and the painter in the first scene of Timon of Athens is above all a brilliant analysis of professional rivalry; but for the educated man of Shakespeare's day it had overtones which can now only be reconstructed by a conscious effort and with the aid of scholarship. The audience of that time would not have regarded it simply as a casual conversation between two