喀拉旺加约传统图案的象征信息

Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Pub Date : 2022-03-09 DOI:10.33558/makna.v10i1.3022

Muhsin Efendi, Viana Safrida Harahap, H. Basri

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引用次数: 0

摘要

本研究旨在分析喀拉旺加约族传统图案中符号信息的含义及其在加约族传统服装中的应用。本研究还讨论了保护Kerawang Gayo所需的努力。本研究采用了历史和民族志方法。数据是通过文件、观察和访谈过程收集的。本研究结果显示了14种克拉旺加约模式;(1) Tapak Sleman(苏莱曼的足迹)，(2)Tali Puter Tige(绳索缠绕三次)，(3)Mata ni Lao(太阳)，(4)Pucuk ni Tuis(竹芽)，(5)Emun berkunyi(固定云)，(6)Emun Berangkat(行走的云)，(7)Peger(栅栏)，(8)Emun Beriring(排列云)(9)Rante(链)(10)Tali Mestike(穆斯提卡的绳子)(11)Tekukur(测量)(12)Cucuk Pengong(圆)(13)Emun Mupesir(分裂云)，(14)Sarak Opat(四元素一体)。使用特定的图案和Gayo图案的颜色取决于佩戴者在社会中的地位，因为Kerawang Gayo被视为亚齐人的神圣物品。

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SYMBOLIC MESSAGES OF KERAWANG GAYO’S TRADITIONAL PATTERNS

The present study aimed to analyze the meaning of symbolic messages found in the Kerawang Gayo's traditional patterns and their applications into Gayo’s traditional clothing. The present study also discusses efforts needed to preserve Kerawang Gayo. The present research applied a historical and ethnographic approach. Data was collected through the processes of documentation, observations and interviews. The results of present study show 14 Kerawang Gayo’s patterns; (1) Tapak Sleman (Footprint of Sulaiman), (2) Tali Puter Tige (Rope Twisted Third Times) (3) Mata ni Lao (sun), (4) Pucuk ni Tuis (Bamboo Sprout), (5) Emun Berkunē (Fixed Clouds), (6) Emun Berangkat (Walking Clouds), (7) Peger (Fence), (8) Emun Beriring (Lining Clouds) (9) Rante (Chain) (10) Tali Mestike (Mustika’s Rope) (11) Tekukur (Measurement) (12) Cucuk Pengong (Circle) (13) Emun Mupesir (Splitting Cloud), (14) Sarak Opat (Four Elements In One Integrated Bond). The use of specific patterns and the colors of Gayo’s patterns depend on the wearer’s position in the society as Kerawang Gayo is regarded as a sacred item for people in Aceh.

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Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya

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