18世纪,僧侣在Pochaiv修道院印刷厂的做法

I. Almes
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摘要

本文研究了18世纪波查伊夫巴斯连修道院印刷厂僧侣的做法。这是前现代时期典型的乌克兰修道院字体。专业僧侣与其他非僧侣的工作人员(雕刻师、铸造厂等)一起确保了上述印刷厂的运作。对18世纪30年代和70年代的探访描述的研究发现,多达7名僧侣在印刷中工作。所引用的档案资料追溯了当时印刷厂僧侣修行的动态。在18世纪30年代,年轻的20岁的巴西人在被称为长官的高级僧侣的领导下操作波查伊夫印刷术。他们的工作没有任何报酬,因为在寺院社区生活中有一些服从。在18世纪70年代,当地修道院印刷厂的学生仍然提供了大部分的活动。这些巴西人在波查伊夫开始了他们的修道院生活,并在那里学习了印刷工艺。由于寺院印刷厂的类型严格规定了其活动,没有非寺院的实践,僧侣必须学习印刷事务,并在不违反clausura规则的情况下有效地进行排版。这是不可能的,如果他们离开修道院(不遵守clausura),并在利沃夫(Lviv)学习手工艺。如果接受过当地小学教育的巴西人几乎完成了印刷术中的所有技术问题,那么受过更多教育和更熟练的僧侣则在那里审查和修改版本。他们也在当地的Pochaiv修道院开始了僧侣生活,但后来在鲁塞尼亚巴西利亚省(Ruthenian Basilian province)完成了哲学和神学研究,或者很少在罗马毕业。这篇论文的结论是,专业僧侣们成功地建立了一家波查伊夫印刷厂,不仅因为高质量的版本,而且因为一个简单的事实——在几十年的时间里,印刷术占了修道院全部收入的40%。关键词:波察夫寺;巴西人;寺院印刷厂
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Practices of monks in the Pochaiv monastery printing house of the 18th century
The paper studies the practices of monks in the Pochaiv Basilian monastery printing house in the 18th century. It was one of the typical Ukrainian monastery typographies of the premodern time. Monks-professional, together with other non-monks’ staff (engravers, foundries, etc.), ensured the functioning of the mentioned printing house. Research on the visitation descriptions of the 1730s and 1770s has found that up to seven monks worked in the typography. The cited archival sources traced the dynamics of monks’ practices in the printing house of that time. In the 1730s, young 20 years old Basilians operated the Pochaiv typography under the chief elder hieromonk called prefect. They all worked without any payment because of some obedience within the monastery community life. In the 1770s, learners of the local monastery printing house still provided most of its activities. These Basilians started their monastery life in Pochaiv and learned printing crafts there. Because the type of monastery printing house strictly regulated its activities without non-monastic practices, monks had to learn printing affairs and be effective in typography without breaking clausura rules. That was impossible if they left monasteries (disobeyed clausura) and had lessons in craftsman, for instance, in Lviv. If Basilians with local primary schooling carried out almost all technical issues in the typography, then more educated and skilled monks censored and corrected editions there. They also started monks’ life in the local Pochaiv monastery but later graduated from philosophical and theological studies within Ruthenian Basilian province or, less often, in Rome. The paper concludes that monks-professionals fixed out a successful Pochaiv printing house that was approved not only by high-quality editions but by a simple fact – 40% of all monastery incomes in some decades from the typography. Keywords: Pochaiv monastery, Basilians, monastery printing house, prefect of typography
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