{"title":"涌现的想象力:虚拟世界中艺术作品分析的发展框架","authors":"D. Doyle","doi":"10.1109/CW.2011.25","DOIUrl":null,"url":null,"abstract":"This paper proposes a framework for the analysis of artworks created in virtual worlds by extending Lichty's four modalities of art in virtual worlds, identified as transmediated, cybrid, client/browser, and ever gent. A selection of artworks from the Kritical Work in SL exhibitions undertaken in 2008 and 2009 are analysed for the qualities of imaginative experience and the articulation of a new set of movements of the imagination from (and between) physical and virtual world spaces indicates a potency of virtual worlds for the investigation and creation of artistic practice.","PeriodicalId":231796,"journal":{"name":"2011 International Conference on Cyberworlds","volume":"604 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2011-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Emergent Imagination: A Developing Framework for the Analysis of Artworks in Virtual Worlds\",\"authors\":\"D. Doyle\",\"doi\":\"10.1109/CW.2011.25\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper proposes a framework for the analysis of artworks created in virtual worlds by extending Lichty's four modalities of art in virtual worlds, identified as transmediated, cybrid, client/browser, and ever gent. A selection of artworks from the Kritical Work in SL exhibitions undertaken in 2008 and 2009 are analysed for the qualities of imaginative experience and the articulation of a new set of movements of the imagination from (and between) physical and virtual world spaces indicates a potency of virtual worlds for the investigation and creation of artistic practice.\",\"PeriodicalId\":231796,\"journal\":{\"name\":\"2011 International Conference on Cyberworlds\",\"volume\":\"604 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-10-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2011 International Conference on Cyberworlds\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/CW.2011.25\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2011 International Conference on Cyberworlds","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/CW.2011.25","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Emergent Imagination: A Developing Framework for the Analysis of Artworks in Virtual Worlds
This paper proposes a framework for the analysis of artworks created in virtual worlds by extending Lichty's four modalities of art in virtual worlds, identified as transmediated, cybrid, client/browser, and ever gent. A selection of artworks from the Kritical Work in SL exhibitions undertaken in 2008 and 2009 are analysed for the qualities of imaginative experience and the articulation of a new set of movements of the imagination from (and between) physical and virtual world spaces indicates a potency of virtual worlds for the investigation and creation of artistic practice.
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