民俗文化中的表演

E. V. Fomchenko
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引用次数: 0

摘要

这篇文章讨论的是表演这种现代文化艺术现象。本研究的目的是确定作为现代艺术创作特征的表演特征及其对民间文化发展的影响。以民间艺术合奏团“罗斯斯坦”的创作活动为例,考虑了转向仪式、仪式类型的民间艺术的趋势,从而提出了交流。文章指出,事件和氛围的营造、空间和传播组织、观众的互动等表演特征为感知和反应提供了条件。作者参考了E.费歇尔-利希特、V.特纳、A.雅等科学家的著作。Flier, L. N. Zakharova, L. V. Demina等人。在研究过程中,运用了概括法、比较法和辩证法、历史法和逻辑法。以“罗斯斯坦”的创作活动为例,揭示了传统民俗学与创新民俗学相互作用中民俗文化的现代特征。民间文化的复兴,其创造潜力的实现是可能的,通过文化传统的发展和创造与古代仪式形式的互动有关的创新,这应该适应现在,并为现代人所理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PERFORMANCE IN FOLK CULTURE
The article deals with such a modern phenomenon of culture and art — as performance. The purpose of this study is to determine the performative features as characteristics of modern artistic creativity and their influence on the development of folk culture. The tendency for turning to ritual, ceremonial types of folk art, whereby the communication is put forward, is considered on the example of the creative activity of the folklore ensemble "Rosstan". The article notes such performative characteristics as the creation of an event and atmosphere, space and communication organization, the interaction of the audience, that provide conditions for perception and response. The author relies on the works of such scientists as: E. Fischer-Lichte, V. Turner, A. Ya. Flier, L. N. Zakharova, L. V. Demina and others. In the process of studying following methods were used: generalization, comparison and also dialectical, historical and logical once. Modern features in folk culture, expressed in the interaction of traditional and innovative folkloristics are revealed on the example of the creative activity of "Rosstan". The revival of folk culture, the realization of its creative potential is possible through the development of cultural traditions and the creation of innovations related to ancient ritual forms of interaction, which should be adapted to the present and be understood by modern generation.
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