谁埋葬在韦伯的坟墓里?从梅西安到施托克豪森的系列音乐接受取向

{"title":"谁埋葬在韦伯的坟墓里?从梅西安到施托克豪森的系列音乐接受取向","authors":"Max Erwin","doi":"10.1353/pnm.2020.0013","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"178 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Who is Buried in Webern's Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen\",\"authors\":\"Max Erwin\",\"doi\":\"10.1353/pnm.2020.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":102986,\"journal\":{\"name\":\"Perspectives of New Music\",\"volume\":\"178 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perspectives of New Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/pnm.2020.0013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perspectives of New Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/pnm.2020.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}