{"title":"十七世纪莱顿的艺术所有权","authors":"C. Fock","doi":"10.5092/JHNA.2021.13.1.4","DOIUrl":null,"url":null,"abstract":"This article originally appeared as “Kunstbezit in Leiden in de 17de eeuw” in Th. H. Lunsingh-Scheurleer et al., Het Rapenburg: Geschiedenis van een Leidse gracht, vol. 5b, (Leiden: Rijksuniversiteit Leiden, 1990), 3–36. The larger publication comprises eleven volumes on the architecture, interior decoration, residents’ histories, and contents of the houses in this section of the Rapenburg, from the Middle Ages to the twentieth century. Fock’s chapter centers on art owned by collectors and others living on Leiden’s famous canal—their professions, social status, the kinds of art that they had in their possession, and the positioning of those works within their households. Works have been identified with the aid of auction catalogues and public notarial inventories.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"122 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Art Ownership in Leiden in the Seventeenth Century\",\"authors\":\"C. Fock\",\"doi\":\"10.5092/JHNA.2021.13.1.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article originally appeared as “Kunstbezit in Leiden in de 17de eeuw” in Th. H. Lunsingh-Scheurleer et al., Het Rapenburg: Geschiedenis van een Leidse gracht, vol. 5b, (Leiden: Rijksuniversiteit Leiden, 1990), 3–36. The larger publication comprises eleven volumes on the architecture, interior decoration, residents’ histories, and contents of the houses in this section of the Rapenburg, from the Middle Ages to the twentieth century. Fock’s chapter centers on art owned by collectors and others living on Leiden’s famous canal—their professions, social status, the kinds of art that they had in their possession, and the positioning of those works within their households. Works have been identified with the aid of auction catalogues and public notarial inventories.\",\"PeriodicalId\":104162,\"journal\":{\"name\":\"Journal of Historians of Netherlandish Art\",\"volume\":\"122 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Historians of Netherlandish Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5092/JHNA.2021.13.1.4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Historians of Netherlandish Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5092/JHNA.2021.13.1.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
本文原载于《新时期莱顿的艺术》。H. lunsing - scheurleer et al., heet Rapenburg: Geschiedenis van een Leidse gracht, vol. 5b, (Leiden: Rijksuniversiteit Leiden, 1990) 3-36。较大的出版物包括从中世纪到二十世纪的建筑、室内装饰、居民的历史和拉彭堡这部分房屋的内容的十一卷。福克这一章的重点是生活在莱顿著名运河边的收藏家和其他人所拥有的艺术品——他们的职业、社会地位、他们拥有的艺术品种类,以及这些艺术品在他们家庭中的地位。在拍卖目录和公证清单的帮助下,这些作品已被确定。
Art Ownership in Leiden in the Seventeenth Century
This article originally appeared as “Kunstbezit in Leiden in de 17de eeuw” in Th. H. Lunsingh-Scheurleer et al., Het Rapenburg: Geschiedenis van een Leidse gracht, vol. 5b, (Leiden: Rijksuniversiteit Leiden, 1990), 3–36. The larger publication comprises eleven volumes on the architecture, interior decoration, residents’ histories, and contents of the houses in this section of the Rapenburg, from the Middle Ages to the twentieth century. Fock’s chapter centers on art owned by collectors and others living on Leiden’s famous canal—their professions, social status, the kinds of art that they had in their possession, and the positioning of those works within their households. Works have been identified with the aid of auction catalogues and public notarial inventories.