{"title":"“美丽事物的灵魂感受”","authors":"Karen Schneider","doi":"10.1163/24054992-07010001","DOIUrl":null,"url":null,"abstract":"\n Katharine Nash Rhoades, a painter, Charles Lang Freer’s assistant, and a member of the Stieglitz Circle, met Freer at Mount Kisco, New York, the country home of Asian art collectors Agnes and Eugene Meyer on June 29, 1913. Their friendship lasted until Freer’s death on September 25, 1919. Although their relationship was relatively short in duration, it was characterized by loyalty, warmth, and mutual respect. Rhoades and Freer shared the pursuit of beauty as the guiding principle in their lives. Rhoades’s paintings reveal the influence that the Japanese art in Freer’s collection had upon her work. She was instrumental in the creation of the Freer Gallery of Art as it is known today. This article, based on extensive research using primary sources, sheds new light on the relationship between Katharine Rhoades and Charles Lang Freer and the ways in which the art of Japan played a key role in their lives.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"62 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“The Soul Sense of a Beautiful Thing”\",\"authors\":\"Karen Schneider\",\"doi\":\"10.1163/24054992-07010001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Katharine Nash Rhoades, a painter, Charles Lang Freer’s assistant, and a member of the Stieglitz Circle, met Freer at Mount Kisco, New York, the country home of Asian art collectors Agnes and Eugene Meyer on June 29, 1913. Their friendship lasted until Freer’s death on September 25, 1919. Although their relationship was relatively short in duration, it was characterized by loyalty, warmth, and mutual respect. Rhoades and Freer shared the pursuit of beauty as the guiding principle in their lives. Rhoades’s paintings reveal the influence that the Japanese art in Freer’s collection had upon her work. She was instrumental in the creation of the Freer Gallery of Art as it is known today. This article, based on extensive research using primary sources, sheds new light on the relationship between Katharine Rhoades and Charles Lang Freer and the ways in which the art of Japan played a key role in their lives.\",\"PeriodicalId\":436254,\"journal\":{\"name\":\"Journal of Japonisme\",\"volume\":\"62 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Japonisme\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/24054992-07010001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Japonisme","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/24054992-07010001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
1913年6月29日,画家凯瑟琳·纳什·罗兹(Katharine Nash Rhoades),查尔斯·朗·弗里尔(Charles Lang Freer)的助手,斯蒂格利茨圈子的成员,在纽约基斯科山(Mount Kisco)见到了弗里尔,那里是亚洲艺术收藏家艾格尼丝和尤金·迈耶(Eugene Meyer)的乡村住宅。他们的友谊一直持续到弗利尔于1919年9月25日去世。虽然他们的关系持续时间相对较短,但其特点是忠诚、温暖和相互尊重。罗迪斯和弗里尔都把追求美作为他们生活的指导原则。罗兹的画作揭示了弗里尔收藏的日本艺术对她作品的影响。她在弗里尔艺术画廊的创建中发挥了重要作用,正如今天所知的那样。本文基于对第一手资料的广泛研究,揭示了凯瑟琳·罗迪斯和查尔斯·朗·弗里尔之间的关系,以及日本艺术在他们生活中发挥关键作用的方式。
Katharine Nash Rhoades, a painter, Charles Lang Freer’s assistant, and a member of the Stieglitz Circle, met Freer at Mount Kisco, New York, the country home of Asian art collectors Agnes and Eugene Meyer on June 29, 1913. Their friendship lasted until Freer’s death on September 25, 1919. Although their relationship was relatively short in duration, it was characterized by loyalty, warmth, and mutual respect. Rhoades and Freer shared the pursuit of beauty as the guiding principle in their lives. Rhoades’s paintings reveal the influence that the Japanese art in Freer’s collection had upon her work. She was instrumental in the creation of the Freer Gallery of Art as it is known today. This article, based on extensive research using primary sources, sheds new light on the relationship between Katharine Rhoades and Charles Lang Freer and the ways in which the art of Japan played a key role in their lives.