后现代视角与阿拉伯风格文化、身份与阈限空间的关系

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引用次数: 0

摘要

随着以工业革命为基础的技术的发展而出现的全球化,不可避免地造成了文化的冲突。来自冲突文化的杂交揭示了不符合双重定义的文化因素,并在这种民族国家理解中被消极地理解。因为这些文化结构是在民族国家的文化规范之外的。本研究考察了阿拉伯花式文化这一杂交文化的存在性方面,并探讨了其与身份的关系,发现阿拉伯花式文化与阈域有关。这就是排斥阿拉伯风格的原因。在本研究中,人们并不了解阿拉伯风格的文化是随着社会的变化而演变的,这种演变的结果是,在酒馆等中间音乐的变化中出现了文字较轻的音乐类型。研究的另一个结果从一个角度进行了检验,这与阈限空间中的阿拉伯文化关系将通过改善人类状况而完全消除的假设相反。结论是,这是一种身份和存在的现象,不能轻易从社会记忆中抹去。关键词:阿拉伯风格文化;阿拉伯风格音乐;阈限空间
本文章由计算机程序翻译,如有差异,请以英文原文为准。
RELATIONSHIP BETWEEN POSTMODERN PERSPECTIVE AND ARABESQUE CULTURE, IDENTITY AND LIMINAL SPACE
The globalization that emerged with the technology developed on the basis of the industrial revolution has inevitably caused a conflict of cultures. Hybridization from conflicting cultures has revealed cultural factors that do not conform to dual definitions and are understood negatively for this nation-state understanding. Because these cultural structures are outside the cultural norms drawn by the nation-state. In this study, the existential aspect of arabesque, a hybrid culture, was examined and its relationship with identity was discussed, and then it was found that arabesque culture was related to the liminal area. And this was the reason for arabesque exclusion. In this study, it was not understood that arabesque culture evolved with the change of society, and as a result of this evolution, music types with lighter words emerged by changing in intermediate music such as taverns. Another result of the study was examined from one point of view, contrary to the assumption that the arabesque culture relationship in liminal space would be completely eliminated by improving the condition of humans. It was concluded that this is an identity and existential phenomenon, and cannot be easily erased from the memory of society. Keywords: Arabesque Culture, Arabesque Music, Liminal Space, identity
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