克什米尔文学中的女性表现:对马乔尔《不想要的女人的故事》和纳西姆·希法伊《既不是影子也不是倒影》的女性主义分析

Dr.Gazala Gayas, boudjemaa khalfalla
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引用次数: 0

摘要

本文旨在描述妇女在克什米尔文化中的作用。Mahjoor和Naseem都描绘了女性在克什米尔社会中扮演的不同角色,而不是她在克什米尔社会中的待遇。克什米尔进步诗人Ghulam Ahmad Mahjoor和克什米尔女权主义者Naseem Shiafaie教授在他们的诗歌中将克什米尔妇女描绘成父权制度的受害者。Mahjoor简单而感人的语言讲述了女人被背叛和无能为力的痛苦。纳西姆直率的语言大声地讲述了当代克什米尔社会中妇女的苦难。她认为有必要让妇女和女童实现她们的潜力。女性主义可以被称为一种批评话语模式,它强调文学作品解释中文化决定的性别差异。女权主义通常关注男性在生活各个方面的统治和压迫的历史。女性主义已经成为当代文学批评的主导力量。它在短时间内取得了相当大的进步。女性主义文学批评在打破以标志为中心的传统,挑战男权制度下的特权观念和价值至上方面发挥了至关重要的作用。这是它对文学和文化研究的另一种方法。“女性神秘感”这个词是弗里丹创造的,用来描述“女性会从家务、婚姻、性生活和孩子中得到满足”的假设。当时流行的观念是,真正女性化的女性不应该想要工作、受教育或有政治观点。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representation of Women in Kashmiri Literature: A Feministic Analysis of Mahjoor's "The Unwanted Woman's Tale" and Naseem Shiafaie''s "Neither a Shadow nor a Reflection"
: The paper aims to portray the role of women in Kashmiri culture. Both Mahjoor and Naseem portray different roles a woman plays in Kashmiri society, rather than how she is treated in Kashmiri society. Ghulam Ahmad Mahjoor, a Kashmiri progressive poet, and Prof. Naseem Shiafaie a Kashmiri feministic voice portray Kashmiri women in their poems as victims of patriarchal setup. Mahjoor's simple and moving language speaks about the pangs of the woman being both betrayed and powerless. Naseem's forthright language speaks loudly, about the sufferings of women in contemporary Kashmiri society. She argues about the need to allow women and girl children to realize their potential. Feminism can be called a mode of critical discourse which emphasizes culturally determined gender differences in the interpretation of literary works. Feminism generally focuses on the history of male dominance and oppression in all aspects of life. Feminism has become a dominant force in contemporary literary criticism. It has made considerable advancement during a small period. Feminist literary criticism has played a crucial part in breaking the logo-centric tradition and challenging the supremacy of the privileged concepts and values in the patriarchal systems. This is its alternative approach to literary as well as cultural studies. The phrase "feminine mystique" was coined by Friedan to describe the assumptions that "women would be fulfilled from their housework, marriage, sexual lives, and children. The prevailing belief was that truly feminine women should not want to work, get an education, or have political opinions."
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