{"title":"电影中的知识分子和野蛮人:熊和魔鬼","authors":"Liina Keevallik","doi":"10.1515/bsmr-2017-0015","DOIUrl":null,"url":null,"abstract":"Abstract The article suggests that cinematic figures can be divided into two basic groups - barbarian and intellectual. The definition is based on the level of the figures’ intelligibility in the works of Jean-Luc Godard and Andrei Tarkovsky. As Claude Lévi-Strauss’ myth analysis shows, there are structural similarities between cinematic figures and myths, the article searches for a closer, more site-specific link, engaging fairy tales, i.e. local myths, as a more efficient way of observing the distinctive features of the figures in specific regions.","PeriodicalId":253522,"journal":{"name":"Baltic Screen Media Review","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intellectual and Barbarian Figures in Film: The Bear and the Devil\",\"authors\":\"Liina Keevallik\",\"doi\":\"10.1515/bsmr-2017-0015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The article suggests that cinematic figures can be divided into two basic groups - barbarian and intellectual. The definition is based on the level of the figures’ intelligibility in the works of Jean-Luc Godard and Andrei Tarkovsky. As Claude Lévi-Strauss’ myth analysis shows, there are structural similarities between cinematic figures and myths, the article searches for a closer, more site-specific link, engaging fairy tales, i.e. local myths, as a more efficient way of observing the distinctive features of the figures in specific regions.\",\"PeriodicalId\":253522,\"journal\":{\"name\":\"Baltic Screen Media Review\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-12-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Baltic Screen Media Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/bsmr-2017-0015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Screen Media Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/bsmr-2017-0015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要本文认为,电影人物可以分为野蛮人和知识分子两个基本群体。这一定义是基于戈达尔和塔可夫斯基作品中人物的可理解程度。正如Claude l vi- strauss的神话分析所显示的那样,电影人物与神话之间存在着结构上的相似性,本文寻求一种更紧密、更具体的联系,通过童话故事,即地方神话,作为一种更有效的方式来观察特定地区人物的鲜明特征。
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Abstract The article suggests that cinematic figures can be divided into two basic groups - barbarian and intellectual. The definition is based on the level of the figures’ intelligibility in the works of Jean-Luc Godard and Andrei Tarkovsky. As Claude Lévi-Strauss’ myth analysis shows, there are structural similarities between cinematic figures and myths, the article searches for a closer, more site-specific link, engaging fairy tales, i.e. local myths, as a more efficient way of observing the distinctive features of the figures in specific regions.