被告席上的性别

Mbaye Dieng Diasse
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引用次数: 0

摘要

有时,我们所属的文化或传统沉重地压在我们的肩膀上,使我们感到痛苦,以至于我们失去了所有的道德感,陷入颓废。在文学中,道德堕落指的是社会伦理规范和性道德恶化和衰落的腐蚀过程或情况。Amma Darko以解构父权文化的视角,揭露了她的社会所遭受的道德沦陷,并指责了以性别为导向的制度。本文的目的是研究性别和与之相关的标准如何影响社会堕落和个人道德价值观的日益丧失。强调作者的客观性和她以宣泄为基础的治疗方法,对Amma Darko的《无面无花》的分析允许我们从屏幕外看到性别偏见的可怕后果。无论是男性还是女性,无论是中心人物还是次要人物,在满足或不满足性别歧视意识形态的要求时,都在不法行为和不道德行为中寻求安慰。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gender in the dock
It happens sometimes that culture or the tradition to which we belong weighs heavy on our shoulders, and distresses us to an extent that we lose all sense of morals and drift into decadence. In reference to literature, moral decadence designates a corrosive process or situation of deterioration and decline in society’s ethical codes and sexual morality. In her perspective to dismantle the patriarchal culture, Amma Darko exposes the moral decline to which her society is prey and points an accusing finger at the gender-oriented system. The purpose of this article is to examine how gender and the standards that go with it can influence social depravity and the mounting loss of moral values among individuals. Stressing the writer’s objectivity and her catharsis-based approach as therapy, this analysis of Amma Darko’s Faceless and Not Without Flowers allows to have an off-screen look at the hideous consequences of gender prejudice. As they want or fail to meet the demands of the sexist ideology, both male and female, central and secondary characters are revealed to find solace in illicit deeds and amorality.
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