Volodymyr riezanov作为老乌克兰时代的戏剧史学家

H. Moskalchuk
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引用次数: 0

摘要

本文概述了该传记的主要事实,并在他的考据学工作的背景下分析了V.列扎诺夫的研究。在他的著作中,研究者一贯引用艺术理论,包括中世纪诗学,积极研究和描述乌克兰戏剧与西欧戏剧之间的关系。一个伟大的成就是建立了一种体裁风格的方法来分析校园剧。作者追溯了这位学者方法论的演变:从理论研究到收集、积累和出版发现的文本,这导致了与V.佩雷茨多年的讨论,结果揭示了乌克兰戏剧研究的两个研究原则。即,(V. Perets)和(V. Rieazanov)总结了该学者所依据的方法论原则。特别是,他研究的方法论基础是文学的比较和历史研究,考虑到历史、文化和社会背景。它指出了指导学者的主要方法论原则(对象和主体、时间界限、来源、研究方法)。试图证实多卷本《乌克兰戏剧》的价值。《古乌克兰戏剧》作为文献学领域进一步研究的文本体。对乌克兰古代神秘的“基督从死里复活,地狱的痛苦之言”和复活节戏剧“人性被诱惑摧毁,但基督的恩典仍然存在”的科学研究进行了分析。结论是,V. Rieazanov出版的古代戏剧文本不仅对戏剧研究很重要,而且是一种宝贵的语言材料,因为它们记录了古乌克兰语在其现场口语表达中的特点。出版的文本还允许追溯17-18世纪戏剧流派的发展,确定其艺术特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
VOLODYMYR RIEZANOV AS THE OLD UKRAINIAN AGE DRAMA HISTORIAN
The article outlines the main facts of the biography and analyzes V. Riezanov's research in the context of his textological work. It is emphasized that in his works the researcher consistently refers to the theory of arts, including the medieval poetics, actively researches and describes the relationships between the Ukrainian and Western European drama. Great achievement is the development of an established genre-stylistic approach to the analysis of school dramas. The evolution of the scholar’s methodology is traced: from theoretical studies to the collection, accumulation and publication of found texts, which led to years of discussions with V. Perets, which as a result revealed two principles of research in Ukrainian theater studies. Namely, (V. Perets) and deductive (V. Rieazanov). The methodological principles on which the scholar relied are summarized. In particular, the methodological basis of his research is the comparative and historical study of literature, taking into account the historical and cultural, and social context. It marks out the dominant methodological principles, which guided the scholar (object and subject, chronological boundaries, sources, methods of research). An attempt was made to substantiate the value of the multi-volume edition “Drama of Ukraine. Ancient Ukrainian Theatre” as a body of texts for further research in the field of philology. The scientific research on the ancient Ukrainian mystery “The Word about Harrowing of Hell, when the Christ Having Raised from Dead, Harrowed the Hell” and the Easter drama “The Kingdom of Human Nature by Seduction Destroyed, but Still of the Grace of Christ Made Up” have been analyzed. It was concluded that the ancient dramatic texts published by V. Rieazanov are important not only for theater studies, they are a valuable linguistic material, as they record the peculiarities of the Old Ukrainian language in its live colloquial expression. The published texts also allow tracing the development of dramatic genres of the 17–18 centuries determining their artistic character.
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