{"title":"Theodore Roethke的《遥远的领域》:通过荣格原型的精神体验","authors":"Hala Almohammed, A. Mahmoud","doi":"10.26436/hjuoz.2022.10.3.844","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This research paper deals with one of the most prominent poems by a modern American poet Theodore Huebner Roethke (1908-1963) and the title of the poem is “The Far Field” (1964). The current paper examines the underlining mystical significance of the images used in Roethke’s “The Far Field.” In this poem, the poet figuratively expresses his spiritual journey to realize God within himself through deep contemplation in nature. Very much similar to the mystic experience of realizing the divine within himself while living in solitude. The discussion explores particular Jungian archetypes in this poem scrutinizing their referentiality both on the aesthetic figurative level of the poem and on the spiritual dimension. For example, Roethke dexterously employs the image of the far field to refer to death but interestingly this far field with which dead animals are strewn about is also a symbol of rebirth where new life is destined to emerge like a garden that decays in September only to flourish back in spring. Thereby, throughout such images drawn from nature, the poet portrays the different stages of spiritual growth he passes through. These stages are; fear of mortality, transcending this fear through realizing the cycle of birth and death which is the reincarnation, and finally the detachment from the physical realism into a union with the divine.","PeriodicalId":134960,"journal":{"name":"humanities Journal of University of Zakho","volume":"96 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Theodore Roethke’s “The Far Field”: The Spiritual Experiences through Jungian Archetypes\",\"authors\":\"Hala Almohammed, A. Mahmoud\",\"doi\":\"10.26436/hjuoz.2022.10.3.844\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This research paper deals with one of the most prominent poems by a modern American poet Theodore Huebner Roethke (1908-1963) and the title of the poem is “The Far Field” (1964). The current paper examines the underlining mystical significance of the images used in Roethke’s “The Far Field.” In this poem, the poet figuratively expresses his spiritual journey to realize God within himself through deep contemplation in nature. Very much similar to the mystic experience of realizing the divine within himself while living in solitude. The discussion explores particular Jungian archetypes in this poem scrutinizing their referentiality both on the aesthetic figurative level of the poem and on the spiritual dimension. For example, Roethke dexterously employs the image of the far field to refer to death but interestingly this far field with which dead animals are strewn about is also a symbol of rebirth where new life is destined to emerge like a garden that decays in September only to flourish back in spring. Thereby, throughout such images drawn from nature, the poet portrays the different stages of spiritual growth he passes through. These stages are; fear of mortality, transcending this fear through realizing the cycle of birth and death which is the reincarnation, and finally the detachment from the physical realism into a union with the divine.\",\"PeriodicalId\":134960,\"journal\":{\"name\":\"humanities Journal of University of Zakho\",\"volume\":\"96 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"humanities Journal of University of Zakho\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26436/hjuoz.2022.10.3.844\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"humanities Journal of University of Zakho","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26436/hjuoz.2022.10.3.844","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文研究美国现代诗人西奥多·休伯纳·罗特克(Theodore Huebner Roethke, 1908-1963)最著名的一首诗《远方》(the Far Field, 1964)。本文考察了罗特克《遥远的田野》中使用的图像的神秘意义。在这首诗中,诗人形象地表达了他通过对自然的深刻沉思来实现自己内心的上帝的精神旅程。非常类似于在孤独中实现自己内在神圣的神秘体验。讨论探讨了这首诗中特定的荣格原型,从诗歌的美学比喻层面和精神层面审视了它们的参照性。例如,罗特克巧妙地使用了远地的形象来指代死亡,但有趣的是,这片散落着死去动物的远地也是重生的象征,在那里,新生命注定会出现,就像一座花园,在九月凋谢,在春天开花结果。因此,通过这些从自然中提取的图像,诗人描绘了他所经历的精神成长的不同阶段。这些阶段是;对死亡的恐惧,超越这种恐惧,通过认识到生死的循环,即轮回,最终脱离物质现实,与神结合。
Theodore Roethke’s “The Far Field”: The Spiritual Experiences through Jungian Archetypes
ABSTRACT:This research paper deals with one of the most prominent poems by a modern American poet Theodore Huebner Roethke (1908-1963) and the title of the poem is “The Far Field” (1964). The current paper examines the underlining mystical significance of the images used in Roethke’s “The Far Field.” In this poem, the poet figuratively expresses his spiritual journey to realize God within himself through deep contemplation in nature. Very much similar to the mystic experience of realizing the divine within himself while living in solitude. The discussion explores particular Jungian archetypes in this poem scrutinizing their referentiality both on the aesthetic figurative level of the poem and on the spiritual dimension. For example, Roethke dexterously employs the image of the far field to refer to death but interestingly this far field with which dead animals are strewn about is also a symbol of rebirth where new life is destined to emerge like a garden that decays in September only to flourish back in spring. Thereby, throughout such images drawn from nature, the poet portrays the different stages of spiritual growth he passes through. These stages are; fear of mortality, transcending this fear through realizing the cycle of birth and death which is the reincarnation, and finally the detachment from the physical realism into a union with the divine.