Ljiljana Juhas-Georgievska
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引用次数: 0

摘要

本文主要探讨塞尔维亚文学和戏剧评论家、文学史家斯韦蒂斯拉夫·乌洛维奇(1847 - 1898)对13世纪塞尔维亚作家希罗蒙克·多门提扬作品的看法。在本文中,作者分析了Vulovic?古塞尔维亚文学研究。关于13世纪的塞尔维亚传记(出版于1885年),涉及多门提扬?年代的工作。作者?他的目的是确定Vulovic在多大程度上依赖于当时取得的科学研究成果,以及他的研究提供了哪些新的见解。通过她对乌洛维奇身体部位的分析?这篇论文的作者在献给多门提扬的一篇文章中指出,乌洛维奇与他的批判取向保持一致,致力于欺骗。给作者足够的关注和空间?年代的传记。他画作家?他的肖像是根据P. ?Safarik;他自己也试图从多门提扬那里揭示更多的相关细节。年代的生活。分析《圣萨瓦圣徒传》,首先他对作家产生了兴趣。年代的来源。他认为,多门提扬主要依赖于斯蒂芬一世献给圣西蒙的作品(这启发了他采用更复杂的理想主义风格方法,引入更明显的幻想元素)。根据Vulovic?在他的评价中,多门提扬在许多方面都胜过了这位老作家。Vulovic对《圣萨瓦圣徒传》评价很高,排在《萨瓦?》s和Stefan?以及所有其他塞尔维亚人的传记。他把多门提扬的另一部作品《圣西蒙圣徒传》描述为“纯粹的汇编”。Vulovic吗?他观察到Domentijan在编写这本书时,很大程度上依赖于他自己的《圣萨瓦圣徒传》,这一点非常有价值。本文的作者还研究了Vulovic?他的研究致力于特奥多西耶。正如所料,在他研究的这一部分,Vulovic谈了很多关于Domentijan?圣萨瓦的圣徒传记,哪个是特奥多西耶?这是他的同名作品的主要来源。Lj。桔多琪吗?乔治耶夫斯卡特别关注乌洛维奇吗?这是一个非常重要的结论,Domentijan更可靠。而不是Teodosije,源于他对这两位作家作品中历史事实的透彻分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Svetislav Vulovic on Domentijan
This paper focuses on the views of Svetislav Vulovic, Serbian literary and theatre critic and literary historian (1847?1898), on the work of hieromonk Domentijan, Serbian writer from the 13th century. In the paper, the author analyses the segments of Vulovic?s study From Old Serbian Literature. About Serbian Biographers of the 13th Century (published in 1885) that deal with Domentijan?s work. The author?s aim was to establish to what extent Vulovic relied on the results of scientific research achieved until then and what new insights his study provided. Through her analysis of the parts of Vulovic?s text dedicated to Domentijan, the author of this paper established that Vulovic, in keeping with his critical orientation, dedicated con?siderable attention and space to the writer?s biography. He draws the writer?s portrait relying on the observations of P. ?. Safarik; he himself tried to shed more light on some relevant details from Domentijan?s life. Analysing The Hagiography of St Sava, first of all he took an interest in the writer?s sources. He established that Domentijan mostly relied on the work of Stefan the First-Crowned dedicated to St Simeon (which inspired him to reach for more complex ideational-stylistic methods, to introduce a more pronounced element of fantasy). According to Vulovic?s assessment, Domentijan outdid the older writer in a number of ways. Vulovic has a very high opinion of The Hagiography of St Sava, ranking it above Sava?s and Stefan?s, as well as all the other Serbian biographies. He characterises another work by Domentijan, The Hagiography of St Simeon, as a ?mere compilation?. Vulovic?s observation that Domentijan, while compiling this work, relied very much on his own The Hagiography of St Sava is highly valuable. The author of this paper also studied the part of Vulovic?s study dedicated to Teodosije. As could be expected, in this section of his study Vulovic speaks a lot about Domentijan?s hagiography of St Sava, which was Teodosije?s main source for his eponymous work. Lj. Ju?has-Georgievska particularly focuses on Vulovic?s very significant conclusion that Domentijan is ?more dependable? than Teodosije, arising from his thorough analysis of the historical facts in the works of these two writers.
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