Magdalena Ujma-Gawlik
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引用次数: 0

摘要

本文分析了一种特殊类型的艺术批评,即实验批评。有理论认为,它发生在违反Słownik Terminów Literackich(文学术语词典)定义的传统批评界限的地方。本文分析了1989年以后的一些文本,展示了拓宽批评领域和超越传统界限的例子。因此,本文分析了批评被视为一种游戏、一种刻意应用的策略、概念的使用以及从文学领域借鉴的方式。本文分析了这些文本及其修辞手法,并阐述了作者的思想。它的结论是:批评使用以前归于艺术的手段,是文化语言变化的标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
STRATEGIE POLSKIEJ KRYTYKI ARTYSTYCZNEJ PO 1989 ROKU
The text analyses a particular type of art criticism, that of experimental criticism. It has been theorised that it occurs where there is a transgression of the boundaries of traditional criticism as defined by Słownik Terminów Literackich (Dictionary of Literary Terms). Selected examples of texts written after 1989 have been analysed, showing examples of broadening the field of criticism and going beyond traditional boundaries. Thus, the ways in which criticism is treated as a game, a deliberately applied strategy, the use of concepts and borrowings from the field of literature have been analysed. An analysis of the texts and the rhetorical devices used in them has been made, as well as the authors’ concepts. It concludes: criticism uses means previously attributed to art and is a marker of changes in the language of culture.
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