{"title":"音色感知的要素。","authors":"J W Hall","doi":"","DOIUrl":null,"url":null,"abstract":"<p><p>An evaluative review of the timbre perception literature is made. Attention is given to physical, psychological, and physiological factors involved in the perception of controlled musical and speech stimuli. Timbre perception is considered to be a complex process involving the synthesis of three main elements: the overtone structure of the stimulus, a temporal integration of acoustical events, and the context of the stimulation.</p>","PeriodicalId":76575,"journal":{"name":"T.-I.-T. journal of life sciences","volume":"7 3-4","pages":"43-51"},"PeriodicalIF":0.0000,"publicationDate":"1977-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Elements of timbre perception.\",\"authors\":\"J W Hall\",\"doi\":\"\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>An evaluative review of the timbre perception literature is made. Attention is given to physical, psychological, and physiological factors involved in the perception of controlled musical and speech stimuli. Timbre perception is considered to be a complex process involving the synthesis of three main elements: the overtone structure of the stimulus, a temporal integration of acoustical events, and the context of the stimulation.</p>\",\"PeriodicalId\":76575,\"journal\":{\"name\":\"T.-I.-T. journal of life sciences\",\"volume\":\"7 3-4\",\"pages\":\"43-51\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1977-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"T.-I.-T. journal of life sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"T.-I.-T. journal of life sciences","FirstCategoryId":"1085","ListUrlMain":"","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
An evaluative review of the timbre perception literature is made. Attention is given to physical, psychological, and physiological factors involved in the perception of controlled musical and speech stimuli. Timbre perception is considered to be a complex process involving the synthesis of three main elements: the overtone structure of the stimulus, a temporal integration of acoustical events, and the context of the stimulation.