现代戏剧和戏剧中的表现主义案例(以t. letts和v. sigarev的戏剧为例)

E. Radaeva
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引用次数: 0

摘要

本文分析了美国和俄罗斯作家莱茨的《八月》剧作。“奥塞奇县”,V. Sigarev“瓢虫回归地球”)的接待表现主义戏剧和戏剧。作者使用了系统文化方法和案例分析的元素(情境分析)。作为这项研究的结果,作者得出结论,认为戏剧,尽管精神和世界观的质量差异的作者,后者的创造性方法的差异在他们的作品的问题,社会历史条件的创建,一个表现主义传统是发现(或多或少)——吸引亲密,存在的情况下,自由的问题,父亲和孩子的主题,在表演的层面上,在缺乏乐观的视角和一般表现主义的人与世界概念的情况下。Borev(“个性,被世界的混乱所迷惑”)。上述作者及其作品在国内观众中的受欢迎程度,以及国际奖项的存在,都证明了这一选择是合理的。在笔者看来,这些作品的艺术独创性是由于表现主义美学与现实主义方法的复杂而矛盾的相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CASES OF EXPRESSIONISM IN MODERN DRAMATURGY AND THEATER (ON THE EXAMPLE OF PLAYS BY T. LETTS, V. SIGAREV)
This article analyzes the plays of American and Russian authors (T. Letts "August. Osage County", V. Sigarev "Ladybugs Return to Earth") for the reception of expressionist dramaturgy and theater. The author uses a system-cultural approach with elements of the case method (situational analysis). As a result of the study, the author comes to the conclusion that in the considered plays, despite the mass of mental and worldview differences of their authors, the difference in the creative method of the latter and in the problems of their works, the socio-historical conditions in which the plays were created, an expressionist tradition is found ( to a greater or lesser extent) - in the attraction to intimacy, existential situations, the problem of freedom, the theme of fathers and children, at the level of acting, in the absence of an optimistic perspective and the general expressionist concept of man and the world, designated by Yu.B. Borev (“individuality, confused by the chaos of the world”). The choice was justified by the popularity of the above authors and their works among the domestic audience, as well as the presence of international awards. The artistic originality of the works, in the author's opinion, is due to the complex and paradoxical interaction of expressionist aesthetics with the realistic method.
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