制作经历

Ellen Swift, John Stoner, April Pudsey
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引用次数: 0

摘要

本章评估了皮特里博物馆收藏的用于纺丝的工具,以及这些人工制品如何塑造了用户的日常体验。它首先讨论纺纱螺纹,与数据的材料,直径,和这些人工制品的重量。本章确定了不同装饰设计和不同重量之间的相关性,这将有助于纺纱者选择最合适的工具。本文还对轮纹装饰的消光功能进行了探讨。本章继续讨论编织梳子形状的吊坠,这似乎是罗马和古埃及晚期的一种独特的人工制品类型。这就引出了关于纺织的文化和宗教功能的讨论,通过它与圣母玛利亚和她在埃及的崇拜的联系。在皮特里博物馆里,一根新发现的手指手杖被展示在其社会和功能价值方面,并参考了帝国其他地方发现的例子。对物品磨损的分析表明,这是一个功能性工具,而不是象征性的财产。本章还评估了纺织的日常现实与文化传统、妇女在纺织中的作用以及专业劳动和家庭劳动之间的复杂关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Production and Experience
The chapter assesses the tools used for spinning fibre that survive in the Petrie Museum collection and how these artefacts shaped the daily experiences of their users. It first discusses spinning whorls, with data on the materials, diameters, and weights of these artefacts. The chapter identifies a correlation between different decorative designs and different weights, which would have helped spinners to select the most appropriate tool. There is also discussion of the apotropaic functions of whorl decoration. The chapter goes on to discuss pendants in the shape of weaving combs, which appear to be a distinct artefact type from Roman and late antique Egypt. This leads onto discussion of the cultural and religious function of spinning, through its association with the Virgin Mary and her cult in Egypt. A newly identified finger distaff in the Petrie Museum is presented in terms of its social and functional value, with reference to examples found elsewhere in the empire. Analysis of wear on the object suggests that it was a functional tool, rather than symbolic possession. The chapter also assesses the daily reality of spinning compared to that represented by cultural traditions, the role of women in spinning, and the complicated relationship between professional and domestic labour.
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