史前艺术中抽象和自然形式的起源问题:艺术形式和社会背景

I. Palaguta
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引用次数: 0

摘要

抽象形式在艺术中的发展及其与自然形式的共存问题是艺术史上的关键问题之一。在史前艺术中,就像在其他时代的艺术中一样,这些形式经常共存,甚至在同一文化空间中。它们的发生是由许多因素造成的,这些因素的揭示使我们能够更正确地重构特定文化的特征。在这些因素中,社会因素发挥了重要作用,形成了社会对自然主义艺术形式的需求。如果在视觉艺术中,造型是从赋予物体相似性发展而来的,那么这个原则在装饰中就行不通了。装饰是一种独立的艺术形式,节奏、韵律和对称起着主要作用。此外,这里抽象的形式往往是由于“技术装饰”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Problems of the genesis of abstract and naturalistic forms in prehistoric art: artistic form and social context
The problem of the development of abstract forms in art and their coexistence with naturalistic forms is one of the key ones in Art History. In Prehistoric art, as in the art of other eras, these forms often coexist even within the same cultural space. Their occurrence is due to a number of factors, the disclosure of which allows us to reconstruct the characteristics of a particular culture more correctly. An important role among these factors is played by social factors that form the need of society for naturalistic forms of art. If in the visual arts shaping develops from giving the object a similarity, then this principle does not work in the ornament. Ornament is a separate art form, where rhythm, meter and symmetry play the main role. In addition, here abstract forms are often due to “technical ornamentation”.
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