意义(g):奥古斯特·威尔逊《七把吉他》中的祖先根源和黑人方言

Karveh Ej
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引用次数: 1

摘要

在所有非裔美国文学中,奥古斯特·威尔逊的世纪循环剧对非裔美国人的白话具有重要意义。在解放之后,黑人作为劣等种族继续处于从属地位,这是通过诋毁黑人身份的核心特征(如语言)来证明的。正如杜波依斯所提到的,非裔美国人的双重意识不仅给非裔美国人的社会生活带来了差异,也给他们的英语使用带来了差异。《七把吉他》是一部人物和他们的语言之间的互动特别引人注目的戏剧。在美国黑人文学领域的知名学者中,亨利·路易斯·盖茨以其对美国黑人文学的深入研究而闻名,特别是其起源和祖先的联系。盖茨认为,非洲裔美国人的方言有其祖先的背景。本文以盖茨的作品为重点,着重分析了《七把吉他》中对非裔美国人日常语言的塑造及其对每个人物个性的塑造。它还揭示了在非裔美国人的生活中,祖先的根源和遗产所起的重要作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Signifyin(g): Ancestral Roots and Black Vernacular in August Wilson'sSeven Guitars
As of all African-American literature, August Wilson's century cycle plays are of significance concerning African- American vernacular. After emancipation, the continued subordination of Blacks represented as an inferior race was justified by the denigration of central characteristics of Black identity such as language. The double-consciousness of the African-American, as mentioned by W.E. DuBois, has brought about differences not only in the social lives of the African-Americans but also in their use of the English language. Seven Guitars is a play in which the interactions between the characters and their language is particularly noticeable. Among the well-known scholars in the field of African-American Literature, Henry Louis Gates is celebrated for his in-depth research concerning African-American Literature, specifically its origins and ancestral connections. Gates posits that the African-American dialect has its roots in ancestral backgrounds. This paper aims to highlight the figuration of everyday language of African- Americans in Seven Guitars and the ways it brings out the personality of each character with emphasis on the work of Gates. It also brings forth the eminent role of ancestral roots and heritage underlying the lives of African- Americans.
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