有效的课堂管理:培养小学生读懂小说的途径

N. Mykhalchuk, Yuliia Danchuk
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As the experimental method we used the questionnaire method (we proposed authors’ questionnaires, which had the aim to study the qualitative characteristics of the literary environment of senior pupils). \nThe results of the research. At the stage of proposing the questionnaire, we tried to pre-diagnose the degree of pupils’ understanding of novels due to the influence of the literary environment, which was determined by the level of studying pupils’ opinions about literature. For this purpose we used questions that required the choice of one of the proposed answers, as well as open-ended questions. It should be noted that the most students have great difficulties answering open-ended questions. This was reflected in the appeals of senior pupils to the experimenter: «I do not know», «We were not told...». Such difficulties indicate a focus on factual knowledge rather than stimulating pupils’ thinking, which generally reflects the predominant focus of schooling. 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引用次数: 0

摘要

本文旨在以中学生在不同文学环境条件下,在中学教学的学习情境中对小说内容的不同理解阶段所形成的感性、语境、整合意象的相互关系模式为基础,建立中学生对小说的理解程度。本研究采用了以下理论方法来解决本文提出的任务:分类法、结构与功能法、分析法、系统化法、建模法、泛化法。作为实验方法,我们采用问卷调查法(我们提出了作者问卷,目的是研究高中学生文学环境的定性特征)。研究的结果。在提出问卷的阶段,我们试图预诊受文学环境影响的小学生对小说的理解程度,这是由小学生文学观的研究水平决定的。为此,我们使用了要求在建议答案中选择一个的问题,以及开放式问题。应该指出的是,大多数学生在回答开放式问题时都有很大的困难。这反映在高年级学生对实验者的诉求中:“我不知道”,“我们没有被告知……”。这些困难表明学校注重事实知识,而不是激发学生的思维,而这通常反映了学校教育的主要重点。事实也证实了这一点,即实验者的指示(“在困难的情况下,回答一个困难的问题不要立即回答,而是稍后再思考和回答”)并没有在每个问题的第二部分得到遵循。结论。事实证明,在阅读小说时,人们首先会对信息的内容和意义做出假设,然后会对文本进行肢解,突出其基本的,一些一般的元素。最后,通过心理活动,读者将这些元素整合成一个单一的结构整体。这样,接受者就找到了小说信息的意义。因此,理解应该被认为是主体心理活动的结果,因此,一个人积极地利用现有的事实知识,从而在期望的方向上刺激思想活动。我们认为理解一部小说可以在读者没有积极的心理活动的情况下发生。在这种情况下,我们谈论的是所谓的理解-回忆,在一个人之前已经读过这本小说的情况下。如果你需要自己理解一个新的、不熟悉的东西,理解需要经历几个阶段,并且总是涉及到主体的积极心理活动的实施。我们将理解小说的过程描述为某种跨个体的话语。在这种情况下,我们必须注意到个人心理的三个主要寄存器的概念-真实的,想象的和象征的-它们是相当翔实的。这些概念是基于这样一个事实,即人类(意识)对现实的反映形式的发展完全由社会和文化领域决定。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Effective Classroom Management as a Way to Teach Pupils to Understand Novels
The purpose of this article was to establish the degree of understanding of novels by pupils on the basis of patterns of interrelation of perceptual, contextual, integrative images, which were formed at different stages of understanding by them the content of the novels in the learning situations of secondary school teaching in the conditions of different literary environment of schoolchildren. The following theoretical methods of the research were used to solve the tasks formulated in the article: a categorical method, structural and functional methods, the methods of the analysis, systematization, modeling, generalization. As the experimental method we used the questionnaire method (we proposed authors’ questionnaires, which had the aim to study the qualitative characteristics of the literary environment of senior pupils). The results of the research. At the stage of proposing the questionnaire, we tried to pre-diagnose the degree of pupils’ understanding of novels due to the influence of the literary environment, which was determined by the level of studying pupils’ opinions about literature. For this purpose we used questions that required the choice of one of the proposed answers, as well as open-ended questions. It should be noted that the most students have great difficulties answering open-ended questions. This was reflected in the appeals of senior pupils to the experimenter: «I do not know», «We were not told...». Such difficulties indicate a focus on factual knowledge rather than stimulating pupils’ thinking, which generally reflects the predominant focus of schooling. This is also confirmed by the fact that the experimenter’s instruction («In a case of difficulties, answering a difficult question not to answer it immediately, but to think and answer it later») wasn’t followed in the second part of each question. Conclusions. It was proved that while reading a novel a person firstly made assumptions about the content and the meaning of information, then there would be a dismemberment of the text, highlighting its basic, some general elements. Finally, through mental activity, the reader integrates these elements into a single structural whole. Thus, the recipient finds the meaning of the information of this novel. Therefore, understanding should be considered as a result of the mental activity of the subject, as a result of which a person actively uses the available factual knowledge and thus stimulates the activity of thought in the desired direction. We think that understanding a novel can take place without the active mental activity of the reader. In this case we are talking about the so-called understanding-recollection, in cases where a person has already read this novel before. If you need to understand a new, unfamiliar one to yourself, understanding goes through a number of stages and always involves the implementation of active mental activity of the subject. We characterize the process of understanding a novel as a certain transindividual discourse. In this case we have to note the concept of three main registers of the psyche of the Individual – Real, Imaginary and Symbolic ones – they are quite informative. These concepts are based on the fact that the development of human (conscious) forms of reflection of the reality is completely determined by the spheres of the society and the culture.
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