{"title":"Kazimierz的诗歌反思Wójtowicz对圣经伯利克里(路24:13-55):关于以马忤斯系列- werset po wersecie(以马忤斯-逐节)","authors":"A. Wzorek","doi":"10.14746/pst.2021.38.14","DOIUrl":null,"url":null,"abstract":"This article deals with Kazimierz Wójtowicz's series Emaus – werset po wersecie (Emmaus - verse by verse), unique in Polish poetry and included in the volume Po prostu Emaus. Wybór wierszy z lat 1978–2016 (Just Emaus. A selection of poems from 1978–2016) (Kraków 2016). The discussed reflection is divided into four segments. The first is an introduction. It shows the priest-poet's fascination with the biblical theme of Emmaus, as evidenced by his numerous ekphrastic and non- ekphrastic poems, classified by the author as Emaus w słowie (Emmaus in the word) and Emaus w obrazie (Emmaus in the image). The second part is an attempt to systematize biblical commentaries on the pericope of St. Luke (24, 13–35). Three main directions of interpretation are discussed, namely, liturgical, symbolic, and the contrapuntal nature of the pericope on Emmaus in relation to the passage about the meeting of the Risen Jesus with Mary Magdalene. The third most extensive segment includes the analysis of 15 poems within the series of our interest that paraphrases most of the verses from the pericope of St. Luke. The description of the following poems is not extensive due to the modest size of this article. In the last segment, it is emphasized that Wójtowicz's poetic reflection on the pericope of St. Luke has artistic values and is also kerygmatic in nature. Commenting on biblical verses using the language of poetry, we primarily refer to the symbolism of the pericope. We use liturgical interpretation to a lesser extent. In the end, our attempt is made to juxtapose the series with other poems by Wójtowicz about Emmaus.","PeriodicalId":241712,"journal":{"name":"Poznań Theological Studies","volume":"47 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Poetic Reflection by Kazimierz Wójtowicz on the Biblical Pericope Lk (24:13–55): On the Series Emaus — werset po wersecie (Emmaus — Verse by Verse)\",\"authors\":\"A. Wzorek\",\"doi\":\"10.14746/pst.2021.38.14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article deals with Kazimierz Wójtowicz's series Emaus – werset po wersecie (Emmaus - verse by verse), unique in Polish poetry and included in the volume Po prostu Emaus. Wybór wierszy z lat 1978–2016 (Just Emaus. A selection of poems from 1978–2016) (Kraków 2016). The discussed reflection is divided into four segments. The first is an introduction. It shows the priest-poet's fascination with the biblical theme of Emmaus, as evidenced by his numerous ekphrastic and non- ekphrastic poems, classified by the author as Emaus w słowie (Emmaus in the word) and Emaus w obrazie (Emmaus in the image). The second part is an attempt to systematize biblical commentaries on the pericope of St. Luke (24, 13–35). Three main directions of interpretation are discussed, namely, liturgical, symbolic, and the contrapuntal nature of the pericope on Emmaus in relation to the passage about the meeting of the Risen Jesus with Mary Magdalene. The third most extensive segment includes the analysis of 15 poems within the series of our interest that paraphrases most of the verses from the pericope of St. Luke. The description of the following poems is not extensive due to the modest size of this article. In the last segment, it is emphasized that Wójtowicz's poetic reflection on the pericope of St. Luke has artistic values and is also kerygmatic in nature. Commenting on biblical verses using the language of poetry, we primarily refer to the symbolism of the pericope. We use liturgical interpretation to a lesser extent. 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引用次数: 0
摘要
本文讨论Kazimierz Wójtowicz的系列Emaus - werset po wersecie(以马忤斯诗句),这是波兰诗歌中独一无二的,收录在《po prostu Emaus》一书中。Wybór wierzy z 1978-2016年末(Just Emaus)1978-2016年诗歌选集)(Kraków 2016)。所讨论的反射分为四个部分。第一部分是引言。它显示了牧师诗人对以马忤斯的圣经主题的迷恋,这一点可以从他大量的抒情诗和非抒情诗中得到证明,作者将其归类为Emaus w słowie(以马忤斯的文字)和Emaus w obrazie(以马忤斯的形象)。第二部分是试图系统化圣经评论的圣路加(24,13 - 35)。三个主要方向的解释进行了讨论,即,礼仪,象征性,和对位性质的伯利克里对以马忤斯的关系,关于会议与玛丽抹大拉复活的耶稣的段落。第三个最广泛的部分包括对我们感兴趣的系列中的15首诗的分析,这些诗改写了圣路加书中大部分的诗句。由于本文篇幅有限,对以下诗歌的描述并不详尽。在最后一部分,强调Wójtowicz对圣路加的pericope的诗意反思具有艺术价值,同时也具有关键的本质。用诗歌的语言来评论圣经经文,我们主要指的是伯利克里的象征意义。我们在较小程度上使用礼仪解释。最后,我们试图将该系列与Wójtowicz关于以马忤斯的其他诗歌并置。
Poetic Reflection by Kazimierz Wójtowicz on the Biblical Pericope Lk (24:13–55): On the Series Emaus — werset po wersecie (Emmaus — Verse by Verse)
This article deals with Kazimierz Wójtowicz's series Emaus – werset po wersecie (Emmaus - verse by verse), unique in Polish poetry and included in the volume Po prostu Emaus. Wybór wierszy z lat 1978–2016 (Just Emaus. A selection of poems from 1978–2016) (Kraków 2016). The discussed reflection is divided into four segments. The first is an introduction. It shows the priest-poet's fascination with the biblical theme of Emmaus, as evidenced by his numerous ekphrastic and non- ekphrastic poems, classified by the author as Emaus w słowie (Emmaus in the word) and Emaus w obrazie (Emmaus in the image). The second part is an attempt to systematize biblical commentaries on the pericope of St. Luke (24, 13–35). Three main directions of interpretation are discussed, namely, liturgical, symbolic, and the contrapuntal nature of the pericope on Emmaus in relation to the passage about the meeting of the Risen Jesus with Mary Magdalene. The third most extensive segment includes the analysis of 15 poems within the series of our interest that paraphrases most of the verses from the pericope of St. Luke. The description of the following poems is not extensive due to the modest size of this article. In the last segment, it is emphasized that Wójtowicz's poetic reflection on the pericope of St. Luke has artistic values and is also kerygmatic in nature. Commenting on biblical verses using the language of poetry, we primarily refer to the symbolism of the pericope. We use liturgical interpretation to a lesser extent. In the end, our attempt is made to juxtapose the series with other poems by Wójtowicz about Emmaus.