Сalchaqui陶瓷器皿的特点:制作工艺和装饰工艺

Lyubov Dmitrenko
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引用次数: 0

摘要

制造技术、容器构造要素和表面处理三者之间的相互作用问题经常引起研究古陶瓷的考古学家的关注。MAE RAS收藏包括在La Paya遗址(阿根廷西北部萨尔塔省)挖掘期间获得的一些陶瓷容器。该定居点由迪亚吉塔-卡尔查基印第安人在公元第一个千年末建立,存在于公元9-16世纪。这个考古建筑群的一个重要部分是在20世纪初由阿根廷考古学家发掘出来的,他是布宜诺斯艾利斯民族志博物馆的创始人和首任馆长J. B. Ambrosetti。La Paya建筑群的大部分由手工塑造的陶瓷容器呈现,这是Calchaqui葬礼仪式的特色部分。在遗址周围的石墙内,以及从西边毗邻的墓地的领土内,都发现了石棺。拉帕亚的陶瓷复合体由大量的碗组成,其特征是形态的高度多样性。不同形状的碗要么被做成独立的容器,要么被做成复杂形状的组成部分。与此同时,丧葬瓮和与之相关的碗有一个稳定的装饰模式。本文介绍了拉帕亚陶器的制造和装饰技术资料,并对一些史学和神话题材进行了分析,有助于了解卡尔查基陶瓷碗和墓葬瓮的结构和装饰的新特点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The features of the Сalchaqui ceramic vessels: technology of producing and ornamentation
The problem of the interplay between manufacturing technology, vessel construction elements and surface treatment often attracts the attention of archaeologists studying ancient ceramics. The MAE RAS collection includes a number of ceramics vessels obtained during excavations of the La Paya site (province of Salta, northwest Argentina). The settlement was founded by the Diaguita-Calchaqui Indians at the end of the first millennium and existed in 9–16 centuries AD. An important part of this archaeological complex was excavated at the beginning of the 20th century by the Argentine archaeologist, founder and first director of the Ethnographic Museum in Buenos Aires, J. B. Ambrosetti. The most part of the La Paya complex was presented by hand-molded ceramic vessels, which were a characteristic part of Calchaqui’s funeral rituals. Burials in cists were found within the stone wall surrounding the site, as well as in the territory of the necropolis adjoining it from the west. The ceramic complex of La Paya consists of a significant number of bowls, characterized by a high level of morphological diversity. Bowls of different shapes were made either as independent vessels or as components of complex forms. At the same time, the funerary urns and the bowls associated with them have a stable pattern of ornamentation. In the article the data on technology of manufacturing and ornamentation of the La Paya vessels is presented and some historiographical and mythological subjects, which can be useful for understanding new features of construction and ornamentation of the Calchaqui ceramic bowls and burial urns, are analyzed.
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