{"title":"洛普在舞台前","authors":"S. Boadas","doi":"10.30687/978-88-6969-304-5/004","DOIUrl":null,"url":null,"abstract":"The present work tries to deal with some questions about the stage directions in Lope de Vega’s autograph comedies, an aspect that has been neglected by the critic and that needs to be analysed in depth. We will study three aspects (location, verbal forms and graphic indications) to contribute ideas, clarify details, launch hypotheses, and above all, invite reflection and research.","PeriodicalId":127116,"journal":{"name":"«Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)","volume":"122 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Lope ante la puesta en escena\",\"authors\":\"S. Boadas\",\"doi\":\"10.30687/978-88-6969-304-5/004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present work tries to deal with some questions about the stage directions in Lope de Vega’s autograph comedies, an aspect that has been neglected by the critic and that needs to be analysed in depth. We will study three aspects (location, verbal forms and graphic indications) to contribute ideas, clarify details, launch hypotheses, and above all, invite reflection and research.\",\"PeriodicalId\":127116,\"journal\":{\"name\":\"«Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)\",\"volume\":\"122 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"«Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/978-88-6969-304-5/004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"«Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/978-88-6969-304-5/004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The present work tries to deal with some questions about the stage directions in Lope de Vega’s autograph comedies, an aspect that has been neglected by the critic and that needs to be analysed in depth. We will study three aspects (location, verbal forms and graphic indications) to contribute ideas, clarify details, launch hypotheses, and above all, invite reflection and research.