关于毒蛇仪式的讲座

Aby M. Warburg, W. F. Mainland
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引用次数: 41

摘要

这篇演讲所依据的观察结果是在27年前一次去普韦布洛印第安人的旅行中收集的。”我必须警告你,我还不能恢复和纠正我的旧记忆,以这样的方式给你一个充分的介绍美国印第安人的心理。此外,即使在那个时候,我获得的印象也一定是肤浅的,因为我不掌握部落的语言。短短几个月的旅行也不会给你留下什么深刻的印象,如果这些印象在此期间变得更加模糊,我只能向你保证,这是对那些遥远记忆的一系列反思。我这样做是希望这些图片的直接证据能超越我的语言,让你对一个正在消亡的文明有一些了解,并对我们研究一般文明的一个至关重要的问题有一些了解:我们有资格称之为原始异教的基本特征的因素是什么?首先,我将处理普韦布洛人文化中的理性(即建筑)元素:他们的房屋结构和一些他们应用艺术的例子。在陶器的装饰上,我们将遇到宗教象征的基本问题。我从一个印度人那里得到的一幅画。44b)证明了看起来纯粹是装饰的东西实际上必须被象征性地解释。宇宙意象的基本元素之一——以房子的形式构思的宇宙——在这幅画中与一种非理性的动物概念——一条蛇——结合在一起,它看起来像一个神秘而令人敬畏的恶魔。其次,我要谈谈印第安人的蒙面舞,我们首先要把它作为一种纯粹的动物舞蹈来研究,然后作为一种与树木崇拜有关的舞蹈,最后作为一种与活蛇共舞的舞蹈。只要看一眼异教欧洲的类似现象,我们最终就会想到这样一个问题:在普韦布洛印第安人中间仍然存在的这些异教宇宙观的残余,在多大程度上能帮助我们理解从原始异教,经过古典古代高度发达的异教文化,一直到现代文明人的演变?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Lecture on Serpent Ritual
The observations on which this lecture is based were collected in the course of a journey to the Pueblo Indians made twenty-seven years ago.' I must warn you that I have not been able to revive and correct my old memories in such a way as to give you an adequate introduction to the psychology of the American Indians. Moreover, the impressions I gained were bound to be superficial even at that time because I had no command of the language of the tribes. Nor could a journey limited to a few months produce any really profound impressions, and if these have become even more vague in the interim I cannot promise you more than a series of reflections on those distant memories. I do so in the hope that the direct evidence of the pictures may carry you beyond my words, and give you some idea of a civilization which is dying out, and of a question which is of such paramount importance in our study of civilization in general : What elements are we entitled to call the essential characteristics of primitive paganism ? In the first place I shall deal with the rational (that is, architectonic) element in the culture of the Pueblos :-the structure of their houses with some examples of their applied art. In the ornamentation of earthenware we shall come upon the fundamental problem of religious symbolism. A drawing which I acquired from an Indian (P1. 44b) proves that what appears to be purely decorative ornament must in fact be interpreted symbolically. One of the basic elements of cosmological imagery-the universe conceived in the form of a house-is united in this drawing with an irrational animal conception, a serpent, which appears as an enigmatic and awe-inspiring demon. In the second place I shall speak of the masked dance of the Indians, which we shall study first as a pure animal dance, then as a dance associated with the cult of the tree, and finally as a dance with live serpents. A glance at similar phenomena in pagan Europe will eventually bring us to the question : to what extent can these remnants of pagan cosmology still obtaining among the Pueblo Indians help us to understand the evolution from primitive paganism, through the highly-developed pagan culture of classical antiquity, down to modern civilized man?
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