{"title":"“阿拉伯绘画”:埃特尔·阿德南和一种新语言的发明","authors":"Silvia Naef","doi":"10.36950/manazir.2019.1.1.2","DOIUrl":null,"url":null,"abstract":"This article deals with Etel Adnan’s complex and original relation with the Arabic language, and with her concern for the situation of wars and destruction in the Arab world. It tries to analyze how, by “painting in Arabic,” Adnan not only finds a solution to her linguistic quest, but also gives word to her political commitment to the region. And finally, “painting in Arabic” makes her one of the main representatives of the Hurufiyya movement, a fundamental modernist pictorial trend in the Arab world.","PeriodicalId":257328,"journal":{"name":"Manazir Journal","volume":"95 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Painting in Arabic\\\": Etel Adnan and the Invention of a New Language\",\"authors\":\"Silvia Naef\",\"doi\":\"10.36950/manazir.2019.1.1.2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article deals with Etel Adnan’s complex and original relation with the Arabic language, and with her concern for the situation of wars and destruction in the Arab world. It tries to analyze how, by “painting in Arabic,” Adnan not only finds a solution to her linguistic quest, but also gives word to her political commitment to the region. And finally, “painting in Arabic” makes her one of the main representatives of the Hurufiyya movement, a fundamental modernist pictorial trend in the Arab world.\",\"PeriodicalId\":257328,\"journal\":{\"name\":\"Manazir Journal\",\"volume\":\"95 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Manazir Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36950/manazir.2019.1.1.2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Manazir Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36950/manazir.2019.1.1.2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
"Painting in Arabic": Etel Adnan and the Invention of a New Language
This article deals with Etel Adnan’s complex and original relation with the Arabic language, and with her concern for the situation of wars and destruction in the Arab world. It tries to analyze how, by “painting in Arabic,” Adnan not only finds a solution to her linguistic quest, but also gives word to her political commitment to the region. And finally, “painting in Arabic” makes her one of the main representatives of the Hurufiyya movement, a fundamental modernist pictorial trend in the Arab world.
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