巴塔拉伊《木兰》中的跨国人物

R. Timalsina
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摘要

本文探讨了戈文达·拉吉·巴特拉伊的小说《木兰》(1974)中使用的跨国人物。小说以尼泊尔人跨越边界的长达几个世纪的迁移趋势和他们所经历的痛苦为基础,通过三种类型的人物形象来展现生活在印度和不丹的尼泊尔跨国社区的类型。第一种类型是跨国流动的人,他们离开尼泊尔找工作和接受教育,想要返回尼泊尔,但无法在东道国获得任何形式的永久定居。主角苏塔就是这样的角色之一。小说中这种类型的人物最多。第二种类型的人物是那些离开尼泊尔并永久定居在不丹的流散者。来自不丹尼泊尔语社区的汉字属于这种类型。小说中最少的人物是从尼泊尔到印度短暂停留的跨国外来者。朝觐和跨境购买日常用品的人就是这类人物。文章的讨论部分分析了这种迁移的原因和影响,导致了这些人物的产生。本文分析的理论范式是Janine Dahinden和Steven Vertovec的跨国主义思想。本文将对想要从跨国视角研究尼泊尔文本的研究者和评论家有所帮助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transnational Characters in Bhattarai's Muglan
This article deals with the transnational characters used in Govinda Raj Bhattarai’s novel Muglan (1974). Based on the centuries long trend of Nepali people’s migration across the border and the pains they have been undergoing, the novel has presented three types of characters to show the types of Nepali transnational community living in India and Bhutan. The first type is that of transnational mobiles who leave Nepal for job and education, want to return to Nepal and cannot have any type of permanent settlement in the hostland. The main character Sutar is one of such characters. The highest number of characters in the novel is of this type. The second type of characters are diasporic ones who have left Nepal and have been permanently settled in Bhutan. Characters from the Nepali speaking community in Bhutan are of this type. The lowest number of characters in the novel are transnational outsiders who visit India from Nepal for a short time. The people who go for pilgrimage and cross-border purchase of everyday goods are the characters of this type. The discussion section of the article analyses the causes and effects of such migration resulting into the creation of such characters. The theoretical modality used for the analysis is Janine Dahinden and Steven Vertovec’s ideas of transnationalism. This article will be useful for the researchers and critics who want to study Nepali texts from transnational perspective.
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