与疾病共存

L. Nesby
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摘要

在这篇论文中,我希望讨论那些在家里患有严重疾病的人如何描述他们在家庭环境中或独自一人的生活。罗兰·巴特(Roland Barthes)在1977年的《评论生活合奏》(Comment vivre ensemble)中写道,在不同的环境中,个体生活在各种集体情境中,他称之为“节律性紊乱”。巴特研究的场景之一是疗养院,在那里,Autarky和Clôture的形象,暗示着共同生活和独自生活,是相关的。我将用心律失常的概念来讨论独居或与亲戚一起住在家里的病人。讨论基于四本当代斯堪的纳维亚小说:拉尔斯·古斯塔夫森的《养蜂人之死》(1978),拉格纳·霍兰德的《冬天的旅程》(2001),冈希尔德·考文的《艾达的舞蹈》(2005)和埃利西夫·斯蒂福斯-汉森的《让我睡到这只是一个梦》(2014)。这些小说描述了患有癌症的年轻人和老年人,他们呆在家里,以及在经历严重疾病时共同生活或独自生活所涉及的挑战和策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Living with illness
In this paper, I wish to discuss how people living with severe illness at home depict their lives either in a family setting or alone. Roland Barthes writes in Comment vivre ensemble (1977) about individual life lived in a variety of collective situations in different settings, and calls this idiorrhythmia. One of the settings Barthes studies is the sanatorium, where the figures of Autarky and Clôture, implying living together and living alone, are made relevant. I will use the concept of idiorrhythmia, to discuss ill people living at home either alone or together with relatives. The discussion is based on four contemporary Scandinavian novels: Lars Gustafsson’s The Death of a Beekeeper (1978), Ragnar Hovland’s A Winter’s Journey (2001), Gunnhild Corwin’s Ida’s Dance (2005) and Ellisiv Stifoss-Hanssen’s Let me sleep until this is just a dream (2014). These novels describe young and old adults suffering from cancer, staying at home and the challenges and strategies involved in living together or alone while experiencing severe illness.
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