古米拉·阿吉达尔玛·德鲁帕迪女士作品中的女性主体性(重构)

R. Wijayanti, S. Rusdiarti
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摘要

本文探讨了西诺·古米拉·阿吉达尔玛在小说《德鲁帕迪》中对德鲁帕迪性格的重构作为一种表现女性主体性的策略。德鲁帕迪是史诗《摩诃婆罗多》的重述或更新,重点是德鲁帕迪作为故事中的女性角色。作为女性的代表,小说《德鲁帕迪》中的德鲁帕迪呈现了一种不同于《摩诃婆罗多》中印度和爪哇版本的新结构(Serat Baratajuda)。本研究采用的方法是女性主义视角阅读的文学评论,以及作为女性的女性主义文学批评阅读的应用。在这一过程中,还运用了结构分析的方法,揭示了小说叙事结构中的性别问题,证明了德鲁帕迪是故事的主角。研究结果表明,新发现的Drupadi是从Serat Baratajuda重建Drupadi,并追溯至印度版本的《摩诃婆罗多》。这种重构也显示了对《摩诃婆罗多》故事中女性弱点的否定,无论是印度版本还是爪哇版本,都是通过德鲁帕迪的角色来呈现女性的主体性,以及对父亲/男性血统和童贞神话的谴责。Keywords-drupadi;性别;女权主义批评;重建;
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Subjectivity of Women in the Work of Seno Gumira Adjidarma Drupadi (A reconstruction)
This paper discusses the reconstruction of Drupadi's character as a strategy to present the subjectivity of women in the novel Drupadi by Seno Gumira Adjidarma. Drupadi is the retelling or the renewal of the epic Mahabharata which focuses on Drupadi as the female character in the story. As the representation of women, Drupadi in the novel Drupadi is presented with a new construction differ from the previous construction in Mahabharata both the Indian and the Javanese version (Serat Baratajuda). The method used in this study is the literary review with feminist perspective reading, and the application of feminist literary criticism reading as a woman. In its process, structural analysis is also applied to reveal gender issues within the narrative structure of the novel and the proof of Drupadi as the leading character of the story. The result of the study shows that the novel Drupadi is reconstructing Drupadi from Serat Baratajuda and retracing it back to the Indian version of Mahabharata. This reconstruction also shows a repudiation of women's weakness in the story of Mahabharata both Indian and Javanese versions by presenting the subjectivity of women through Drupadi's character, as well as denunciations over father/male lineage and myths of virginity. Keywords—drupadi; gender; feminist criticism; reconstruction;
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