通过海地侨民的艺术音乐表演国家

Diana Golden
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引用次数: 0

摘要

摘要:散居海外的海地艺术作曲家试图展现海地音乐的独特性和跨文化的普遍性,以创造一种国际公认的、独特的海地音乐之声。由于散居海外的作曲家已经建立了他们个人的音乐声音,他们的集体选择反映了一种特殊的音乐叙事舞台上的国家。从20世纪60年代到现在,散居海外的海地作曲家所反映的共同主题包括怀旧、分裂、文化紧张、伏都教节奏、政治表达、音乐风格的混合和世界主义。本文考察了作曲家卡门·布鲁沃德和胡里奥·拉辛的作品,他们的音乐优先级在叙述海地侨民和上演国家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Staging the Nation through Art Music of the Haitian Diaspora
Abstract:Haitian art composers of the diaspora have sought to show Haitian music's uniqueness as well as universality across cultures in order to create an internationally recognized, distinctly Haitian musical voice. As composers of the diaspora have established their individual musical voices, their collective choices have reflected a particular musical narrative staging the nation. Common themes reflected by Haitian composers of the diaspora from the 1960s to the present include nostalgia, fragmentation, cultural tensions, Vodou rhythms, political expression, the mixing of musical styles, and cosmopolitanism. This article examines works by composers Carmen Brouard and Julio Racine for their musical priorities in narrating the Haitian diaspora and staging the nation.
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