古英语《安德烈亚斯》中英雄气概与基督教自我之间的张力

Jacek Olesiejko
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引用次数: 0

摘要

本文的目的是阐明《安德烈亚斯》中世俗的身份和男子气概观念的宗教转变。《安德烈亚斯》是一首宗教诗歌,创作于9世纪左右的盎格鲁-撒克逊英格兰。它改编自《使徒安德鲁行传》的拉丁版本,但诗人借用了古英语世俗诗歌的英雄措辞,重新设计了基督教文学中无处不在的迈尔斯·克里斯蒂的隐喻。诗人用军事隐喻来灌输基督教对男子气概的观念,作为对男子气概的世俗看法的反转。他利用了早期基督教著作中证实的一个悖论,即精神上的男子气概是真正的男子气概,优于军事上的男子气概,而且这种男子气概是通过忍受痛苦和承认失败来表达的。这首诗颠倒了战争和胜利的概念,把烈士身体上的失败描绘成战胜罪恶和魔鬼的精神胜利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Tension between Heroic Masculinity and the Christian Self in the Old English Andreas
The article’s aim is to elucidate the religious transformations of the secular notions of identity and masculinity in Andreas. Andreas is a religious poem composed in Anglo-Saxon England around the ninth century. It is an adaptation of the Latin recension of the Acts of the Apostle Andrew, but the poet uses heroic diction borrowed from Old English secular poetry to rework the metaphor of miles Christi that is ubiquitous in Christian literature. The poet uses the military metaphor to inculcate the Christian notion of masculinity as the inversion of the secular perception of manliness. He draws upon a paradox, attested in the early Christian writings, that spiritual masculinity is true manliness, superior to military masculinity, and that it is expressed through patient suffering and the acknowledgment of defeat. The poem inverts the notions of war and victory to depict the physical defeat of the martyr as a spiritual victory over sin and the devil.
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