《流浪者》的情感强度:一个反英雄的预测?

Motikala Subba Dewan
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引用次数: 0

摘要

《流浪汉》是一部图形小说,它揭示了一个流浪汉的故事,使用视觉效果来强烈地支持对话。它提供了一个主人公的情感强度的一瞥,同时具有邪恶和美德的品质。传统上,人们欣赏英雄或主人公的好品质,勇敢、高尚、坚强、帮助他人,钦佩他的成就和能力,而不是邪恶。《流浪汉》中的主人公具有使他成为真正英雄的所有特征。然而,一些评论家经常将他解读为一个反英雄。本研究将试图解决以下问题:为什么主人公在小说中被描述为一个流浪汉?图形如何成为表达的有效工具?《流浪汉》中的主人公是如何塑造一个反英雄的?是什么样的情感强度导致了他的反英雄地位?本研究文章旨在回答以上问题,并探讨主人公新门武藏,一个凶猛的战士作为一个流浪汉,具有像野兽一样凶猛的反英雄身份。此外,它还通过图形/视觉框架的有效使用,研究了信仰和行动的变化悖论,这些悖论应该相信后现代主义的真正英雄。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emotional Intensity in Vagabond: Prognosis of an Anti-hero?
Vagabond is a graphic novel that unveils the story of a vagrant using visuals to intensely support dialogues. It provides a glimpse of the protagonist's emotional intensity of having both qualities of vice and virtue. Traditionally, the hero or protagonist is appreciated for good qualities, being brave, noble, strong, helping others, and admired for his achievements and abilities, not for evilness. The protagonist in Vagabond possesses all of the characteristics that have projected him to be a true hero. However, often some critics interpreted him as an anti-hero. This research will try to address the following questions: Why is the protagonist described as a vagabond in the novel? How graphics could be an effective tool for expression? How does the protagonist in Vagabond portray an anti-hero? What is the emotional intensity that contributes to his anti-hero status? This research article aims to answer the above questions and explore the protagonist Shinmen Takezo, a fierce warrior as a vagabond with an anti-hero identity having fiery magnitude fighting like a beast. Furthermore, it examines the changing paradox of beliefs and actions that are supposed to believe in a real hero of postmodernism with the effective use of graphic/visual frameworks.
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