I. W. Sugita, I. G. Pastika
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引用次数: 0

摘要

巴厘岛皮影戏的故事与雅德尼亚仪式的背景有关。《摩诃婆罗多》是一部史诗,一直是巴厘岛皮影戏的故事来源,故事情节往往是木偶演员在表演中即兴创作的。Kawi dalang使故事的使用与实施yadnya仪式的背景更加联系起来。在Pitra Yadnya仪式上经常表演的carangan故事之一是Bhima Swarga的故事。然而,在表演中,观众并没有看到这种有意义和独特的表演。因此,有必要进行研究,找出表演的形式,让读者了解巴厘皮影戏Bhima Swarga故事中的形式方面。本研究采用描述定性方法。本研究的结果以描述和分析巴厘皮影戏Bhima Swarga故事的概要,表演结构,木偶人物塑造的形式,使用的语言和声乐,音乐伴奏,使用的供品以及舞台设置的形式。形式的各个方面都被整合到一个节目中,将Bhima提升为中心人物,所讲述的故事可以作为生活中的榜样,为祖先服务。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bentuk Pertunjukan Wayang Kulit Bali Lakon Bhima Swarga dalam Upacara Pitra Yadnya
The Balinese shadow puppet show has a connection between the story that is told and the context of the yadnya ceremony. Mahabharata is an epic that is always the source of stories in Balinese shadow puppet shows, the storylines are often improvised by the puppeteers in the performances. Kawi dalang makes the story used more connected to the context of the implementation of the yadnya ceremony. One of the carangan stories that are often performed is the story of Bhima Swarga at the Pitra Yadnya ceremony. However, in the performance, the audience did not see this meaningful and unique performance. Therefore, it is necessary to conduct a study to find out the form of the performance, so that the reader knows the aspects of the form in the Balinese shadow puppet show Bhima Swarga story. The method used in this research is descriptive qualitative. The results of this study are in the form of a description and analysis of the synopsis, the structure of the performance, the form of the puppet characterizations, the language and vocals used, the musical accompaniment, the offerings used, and the stage set in the Balinese shadow puppet show Bhima Swarga story. all aspects of the form are integrated into a show that elevates Bhima as the central character and the story that is told can be used as an example in life to serve the ancestors.  
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