米歇尔·德·格尔德罗德剧院——回归“小”作品?

Judyta Niedokos
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引用次数: 0

摘要

本文旨在探讨米歇尔·德·盖尔德罗德在其整个文学生涯中创作的相同主题的反复出现。本文着重分析了这位比利时剧作家戏剧作品中两个人物的再现与演变。文章的第一部分描绘了一个死去的女孩复活的母题的演变:作者回忆了一个他母亲在他童年时讲的故事,以重现他自己的舞台版本,圣经中Jair的女儿复活。第二部分探讨战斧的主题和她在盖尔德罗德戏剧作品中的文学道路,从一个两面三刀的八卦到一个好色的普通女孩,再到一个泼妇,她的故事充满了比利时建国神话的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Théâtre de Michel de Ghelderode – un retour aux oeuvres « mineures » ?
The article is devoted to the recurrence of the same motifs in the creative oeuvre of Michel de Ghelderode over the whole period of his literary career. The analysis focuses on the recurrence and evolution of two characters in the dramatic works of the Belgian playwright. The first part of the article charts the evolution of the motif of the resurrection of a dead girl: the writer recollects a story, told by his mother in his childhood, to recreate his own stage version of the Biblical resurrection of Jair’s daughter. The second part deals with the motif of the battleaxe and her literary path in Ghelderode’s dramatic works, from a duplicitous gossip through a lecherous plain girl to a shrew, whose story is riddled with elements of the Belgian founding myth.
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