基于社会心理学的贵州苗族、布依族蜡染图案构成探析

Xiaobing Hu, Yingzhuo Li, Yingshuang Hu, Fang Tong
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引用次数: 0

摘要

蜡染以适当的形状和象形文字为主要造型,以富有民族性的色彩对自然物进行复制和抽象。经过漫长的历史发展,形成了今天精彩的民族民间艺术。它的制作过程富有民族特色和民族传统,具有丰富的构图、想象力和独特性。其中,贵州的苗族和布依族蜡染是中国染织技术的典型代表。从社会心理学的角度看,蜡染的构成离不开人的刺激反应过程,即蜡染是少数民族妇女通过接受外界事物(自然事物)的刺激而产生的相应心理反应,并将这种反应转化为自己的行为。不同形式的蜡染作品反映了他们对美好生活的追求和渴望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring Composition of Guizhou Miao and Buyi Batik Patterns Based on Social Psychology
Batik takes appropriate shape and pictogram as the main shape, and copies and abstracts natural objects with the color of rich national character. After a long historical development, it forms today's wonderful national folk art. Its production process is rich in ethnic characteristics and national traditions with rich composition, imagination, and uniqueness. Among them, the Miao and Buyi batik in Guizhou is a typical representative of dyeing and weaving technology in China. From the perspective of social psychology, the composition of batik is inseparable from people's stimulation of the response process, that is, batik is the corresponding psychological response of ethnic minority women by receiving the stimulation of external things (natural things), and putting this reaction into their behavior. Different forms of batik compositions reflect their pursuit and desire for a better life.
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