土耳其文学体裁边界的消解与融合——从《红发女人》中小说与神话的交叉看

Nan A Lee
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引用次数: 0

摘要

奥尔罕·帕穆克在《红发女人》中结合了不同的神话类型,将父亲的缺席、对父亲权威的服从和反抗、父子关系中的命运等传统主题现代化。希腊故事《俄狄浦斯》的主题是“杀父”,波斯神话《鲁斯坦与希赫拉卜》的主题是“杀子”,两者的动机截然不同。父亲的缺失将这两种叙述联系在一起,尽管它们看似矛盾。我们可以看到小说是如何从神话中诞生的,因为主人公杰姆的生活以各种方式与神话交叉。小说和神话都反映了父子之间普遍存在的爱恨情仇关系,但不同的是,帕慕克通过现代小说的主要人物重新诠释了父子之爱、冲突和死亡等主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on Dismantling and Convergence of Genre Boundaries in Turkish Literature: Aspects of Crossover between Novel and Myth in The Red Haired Woman
Orhan Pamuk combines different mythological genres into The Red Haired Woman and modernizes traditional themes like the father's absence, submission to and rebellion against the father's authority, and fate in the father-son relationship. The theme of the Greek story Oedipus is “killing a father”, and the Persian myth of Rustem and Shihrab is “murder of a son”, with contrasting motives. The lack of a father unites the two narratives, despite their seeming contradictions. We can witness how the novel is born from the myth as the main character Cem's life crossovers with the myths in various ways. Both novels and myths reflect the universal love-hate relationship between father and son, but what is new is that Pamuk reinterprets motifs such as father-son love, conflicts and death through the main characters of modern novels.
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