作者的死期到了吗?

Eun-young Seo
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引用次数: 0

摘要

本文呼吁在人工智能将取代创造者的担忧和创造性领域仍将是人类独有的宽慰之间进行更有成效的讨论。批评人士说,这位作家的死亡不会到来。然而,它有一个线索,它是“此刻”。“人工智能的学习原理和发展速度已经超出了人类的预测。最终,在人工智能将被用作创造工具的时代,我们应该思考“内容和乐趣将如何因人工智能而改变”,而不是坚持“人类的独特领域”。通过对“Dezuka 2020计划”、大冢英治的“AI文学”、Azuma Hiroki的“势利主义”和落合洋一的“数字自然”的讨论,Azuma Hiroki声称“作者(人类)将不会是作品的唯一创造者,而是生成文本的AI系统的合作者”。通过这种方式,思考“人工智能与人类合作将创造何种形式的内容”,而不是说人工智能的工作必须通过人类的手来完成,这将更有成效。本文认为,有必要思考内容与用户之间的互动将如何改变对世界的感知和态度,以及如何应对。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Is the Author’s death Coming?
This article calls for a more productive discussion between concerns that generated AI will replace creators and the relief that creative areas will remain unique to humans. Critics say the author’s death will not come. However, it has a clue that it is ‘at the moment.’ AI’s learning principles and speed of development have exceeded human predictions. In the end, it is time to think about “how content and enjoyment will change due to AI” rather than insisting on “human’s unique domain” at a time when AI will be used as a tool for creation. Through discussions on the “Dezuka 2020 Project,” Otsuka Eiji’s “AI Literature”, Azuma Hiroki’s “Snobbism” and Ochiai Yoichi’s “Digital Nature”, Azuma Hiroki claims that “the author (human) will not be the only creator of the work, but will be a collaborator of the AI system that generates text.” Through this, it is much more productive to think about “what form of content AI-human collaboration will create” rather than saying that human territory remains for AI’s work that must go through human hands. This article argues that it is necessary to think about how the interaction between content and users will change the perception and attitude toward the world and how to respond to it.
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