pleome的“奇怪的单元论”。对etienne Souriau的哲学介绍的评论

Claudio D’Aurizio
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摘要

《哲学复辟》(1939)是Étienne Souriau最重要的哲学著作之一。在这本书中,这位法国哲学家试图勾勒出确定哲学理论确立的主要规律,以便构建哲学的哲学。pleeroma是这部作品的关键概念之一,它指的是包含所有成熟的哲学观点的维度。本文的目的是重建与这项工作有关的一些问题,特别是关于奏奏的概念。本文强调了《复辟哲学》与其写作的哲学环境之间的联系,然后强调了艺术与美学对苏里奥复辟思想的相关性。本文探讨了《口头论》的结构,最后分析了《口头论》与莱布尼茨的《单论》的异同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
L’«étrange monadologie» du plérôme. Remarques sur L’instauration philosophique d’Étienne Souriau
L’Instauration philosophique (1939) is one of the most relevant philosophical works by Étienne Souriau. In this book, the French philosopher tries to outline the main laws which define the instauration of a philosophical theory, in order to construct a philosophy of philosophies. Pleroma is one of the key-concepts of this work, and it refers to the dimension that includes all the well-established philosophical perspectives. The aim of this paper is to reconstruct some issues connected to this work, regarding specifically the notion of pleroma. The paper underlines the connection between L’instauration philosophique and the philosophical milieu in which it was written, and then stresses the relevance of artworks and aesthetics for Souriau’s idea of instauration. The paper deals with the architecture of pleroma, and finally examines some similarities and some differences between the pleroma and Leibniz’s Monadology.
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