解读不同音乐群体的创作体验

Juniper Hill
{"title":"解读不同音乐群体的创作体验","authors":"Juniper Hill","doi":"10.1093/OSO/9780199365173.003.0001","DOIUrl":null,"url":null,"abstract":"This chapter introduces creativity as a fundamental human desire and activity that is culturally embedded and socially regulated. Examples are drawn from classical, jazz, and traditional musicians in Cape Town, Helsinki, and Los Angeles. Conducting in-depth qualitative research among such diverse communities poses methodological challenges but also reveals rich insights. The chapter proposes a model of creativity based on these musicians’ experiences and discusses the components of generativity, agency, interaction, nonconformity, recycling, and flow. It theorizes why societies do not always value creativity and how they regulate it, addressing issues of power, punishment, socially induced emotions, motivation, and morality. Common enablers and inhibitors of creativity are introduced. Classical, jazz, and traditional music scenes in Cape Town, Helsinki, and Los Angeles are compared and contrasted.","PeriodicalId":367057,"journal":{"name":"Becoming Creative","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Interpreting Creative Experience across Diverse Musical Communities\",\"authors\":\"Juniper Hill\",\"doi\":\"10.1093/OSO/9780199365173.003.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter introduces creativity as a fundamental human desire and activity that is culturally embedded and socially regulated. Examples are drawn from classical, jazz, and traditional musicians in Cape Town, Helsinki, and Los Angeles. Conducting in-depth qualitative research among such diverse communities poses methodological challenges but also reveals rich insights. The chapter proposes a model of creativity based on these musicians’ experiences and discusses the components of generativity, agency, interaction, nonconformity, recycling, and flow. It theorizes why societies do not always value creativity and how they regulate it, addressing issues of power, punishment, socially induced emotions, motivation, and morality. Common enablers and inhibitors of creativity are introduced. Classical, jazz, and traditional music scenes in Cape Town, Helsinki, and Los Angeles are compared and contrasted.\",\"PeriodicalId\":367057,\"journal\":{\"name\":\"Becoming Creative\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Becoming Creative\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780199365173.003.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Becoming Creative","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780199365173.003.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本章将创造力作为一种基本的人类欲望和活动进行介绍,这种欲望和活动受到文化和社会的制约。例如来自开普敦、赫尔辛基和洛杉矶的古典、爵士和传统音乐家。在如此多样化的群体中进行深入的定性研究,在方法论上提出了挑战,但也揭示了丰富的见解。本章提出了一个基于这些音乐家的经验的创造力模型,并讨论了生成、代理、互动、不符合、回收和流动的组成部分。它从理论上解释了为什么社会并不总是重视创造力,以及他们如何规范创造力,解决了权力、惩罚、社会诱发的情感、动机和道德等问题。介绍了常见的创造力促进因素和抑制因素。开普敦、赫尔辛基和洛杉矶的古典、爵士和传统音乐场景进行了比较和对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interpreting Creative Experience across Diverse Musical Communities
This chapter introduces creativity as a fundamental human desire and activity that is culturally embedded and socially regulated. Examples are drawn from classical, jazz, and traditional musicians in Cape Town, Helsinki, and Los Angeles. Conducting in-depth qualitative research among such diverse communities poses methodological challenges but also reveals rich insights. The chapter proposes a model of creativity based on these musicians’ experiences and discusses the components of generativity, agency, interaction, nonconformity, recycling, and flow. It theorizes why societies do not always value creativity and how they regulate it, addressing issues of power, punishment, socially induced emotions, motivation, and morality. Common enablers and inhibitors of creativity are introduced. Classical, jazz, and traditional music scenes in Cape Town, Helsinki, and Los Angeles are compared and contrasted.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信