达吉斯坦节日伊格比的变迁历史

E. Kapustina
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引用次数: 0

摘要

本文回顾了达吉斯坦山区一个独特的传统节日——冬至节的历史。这个节日只在Tsuntinsky地区的三个村庄——Shailti、Kituri和Geniyatli庆祝,在1983年由著名的民族学家、高加索学家Yu.Yu进行的科学研究中首次被描述出来。卡尔波夫。本文认为节日在80 - 90年代转型的主要载体是:新的人物和场景元素的融入,村际竞争,通过节日的村庄自我呈现。研究报告强调,在该地区重新伊斯兰化的影响下,民众对该节日的重要性估计过高,这最终导致了冲突局势,并在2007年之前禁止所有庆祝该节日的村庄庆祝该节日。与此同时,在Tsuntinsky地区的山村中中断的节日,由于互联网上出现了关于它的论文和视频,以及伊格比被列入俄罗斯非物质文化遗产名录,在虚拟空间中找到了新的生命。因此,伊格比可以被定义为一个“准地方”的节日:与伊格比相关的虚拟和官僚活动强调了其独特的地方性,但同时,它们的举行与当地本身——Tsuntinsky区的村庄——没有互动。曾经是几个乡村社会的真正节日,在山区消失了,但仍然存在,已经变成了一个共和文化项目,不仅失去了与原始位置的联系,从而获得了“共同的达吉斯坦性质”,而且从当地的原型中分离出来,在历史上获得了新的一页。本研究采用个案研究法进行。该研究基于作者于2021年夏季在Tsuntinsky地区和Makhachkala工作期间收集的实地资料;从互联网上的各种数据,材料来源和Kuntskamera的照片收集,与节日有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
HISTORY OF TRANSFORMATION OF THE DAGESTAN FESTIVAL IGBY
The paper reviews the history of one of the unique traditional festivals of Mountainous Dagestan – Igby, the midwinter festival. The festival, which was celebrated in only three villages of the Tsuntinsky district – Shailti, Kituri, and Geniyatli, – was first described during the scientific research in 1983, conducted by the prominent ethnologist-caucasiologist Yu.Yu. Karpov. The paper considers the main vectors of transformation of the festival in 1980s-1990s: the inclusion of new characters and elements of the scenario, inter-village competitions, self-presentation of a village through the festival. The study highlights discussions in jamaats regarding the overestimation of the significance of the festival under the influence of re-Islamization of the region, which ultimately led to conflict situations and the prohibition of the holiday in all villages that previously celebrated it, by 2007. At the same time, having discontinued in the mountain villages of the Tsuntinsky district, the festival has found its new life in the virtual space due to the emergence of papers and videos on the Internet about it, as well as with the inclusion of Igby in the register of Russia’s intangible cultural heritage. As a result, Igby can be defined as a “quasi-local” festival: virtual and bureaucratic events associated with Igby emphasize its unique locality, but at the same time they are held without interaction with the locality itself – the villages of the Tsuntinsky District. The once real festival of several rural societies, having faded away in the mountains, nevertheless continues to live, has turned into a republican cultural project, losing not only connection with the original location and thus receiving a “common Dagestani nature”, but also separating from its local prototype and getting a new page in history. The research has been conducted with use of case study method. The study is based on field material, collected by the author during the work in the Tsuntinsky district and Makhachkala in Summer of 2021; on various data from the Internet, material sources and photo-collections of Kuntskamera, related to the festival.
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