英国和墨西哥的狗:弗吉尼亚·伍尔夫的《同华记》和MarÍa路易莎·普加的《拉桑斯·德尔·拉戈》中创伤往事的幽灵

Lourdes Parra-Lazcano
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引用次数: 0

摘要

本章对英国作家弗吉尼亚·伍尔夫的《同花传》(1933)和墨西哥作家María路易莎·普加的《湖的原因》(1991)进行了比较分析。基于狗狗不同的社会和文化背景,它将狗狗同花顺所经历的创伤往事的幽灵与狗狗Novela(小说)和Relato(故事)的经历联系在一起。第一部分介绍了在非人类动物研究中创伤过去的幽灵的概念。第二篇文章将宠物同花顺与半流浪狗Novela和Relato进行了比较,以展示在每个故事中,禁闭的创伤过去是如何影响狗的生活的。第三部分讨论了狗的幽灵是如何与它们过去的暴力经历联系在一起的,这一章的最后讨论了这些狗和作者的声音之间的人与动物的同理心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
English and Mexican Dogs: Spectres of Traumatic Pasts in Virginia Woolf’s Flush and MarÍa Luisa Puga’s Las Razones Del Lago
This chapter offers a comparative analysis of the English Virginia Woolf’s Flush: A Biography (1933) and the Mexican María Luisa Puga’s Las razones del lago [The Reasons of the Lake] (1991). It aligns the spectre of the traumatic past experienced by the dog Flush with those of the dogs Novela [Novel] and Relato [Story], based on their differing social and cultural contexts. The first section introduces the notion of spectres of traumatic past in nonhuman animal studies. The second establishes a comparison between Flush as a pet and Novela and Relato as semi-stray dogs to show how in each story a traumatic past of confinement has impacted the dogs’ lives. The third section discusses how the dogs’ spectres are associated with their violent past experiences, and the chapter concludes by addressing the human-animal empathy between these dogs and the voices of the writers.
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