当代尼泊尔艺术、生活和社会中的常见模式

Y. Sharma
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引用次数: 0

摘要

当代尼泊尔的艺术、政治、社会、文化和教育以及生活的其他方面都有共同的趋势和模式。这种相似性表明现实的不同维度是相互联系的。一个区域反映了另一个区域。看艺术,我们可以推断出人们的生活和文化。上层建筑体现在基础上;基础体现在上层建筑上。虚伪、矫饰和模仿是当代尼泊尔艺术、文化和生活的常见模式。由于这些特点,国家的基础正在动摇。需要留在地基里的东西都浮在地面上了。戏剧的艺术、农业、教育和政治不会支持生命和生存。这只是在灾难发生前做做样子。当出现危急和灾难性的情况时,我们肯定会被淹死。在这个天启之前,有必要做一些真实的小事来提高我们的艺术和生活,在文明的基础上增加一点石头。这篇研究论文分析了当代尼泊尔艺术品,并将它们与当代背景下的文化、社会和政治层面联系起来。这是定性研究,因为它解释了艺术和事件,而且解释可以是多重的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Common Patterns in Contemporary Nepali Arts, Life and Society
There are common trends and patterns in contemporary Nepal arts, politics, society, culture and education along with other dimensions of life. Such similarities suggest the interconnectedness of diverse dimensions of reality. One area mirrors the other one. Looking at art, we can infer the life and culture of the people. Superstructure is reflected in the base; and the base has been reflected in superstructure. Hypocrisy, pretention and imitation are the common patterns of Nepali art, culture and life in contemporary context. Due to such features, the foundation of the nation is shaking. The things that need to remain in the foundation are drifting on the surface. The drama of art, agriculture, education and politics will not support life and survival. It is just for showing until the disaster takes place. When there will be critical and catastrophic situation, we are sure to be drowned. Before this apocalypse, it is necessary to do little things that are real which enhance our art and life, which add a little stone on the foundation of the civilization. This research paper analyzes contemporary Nepali artworks and links them to cultural, social and political dimensions of the contemporary context. This is qualitative research since it interprets arts and events, and the interpretations can be multiple.
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