{"title":"c·培根","authors":"Wu Jiaru","doi":"10.1145/3004257.3004483","DOIUrl":null,"url":null,"abstract":"C. Bacon is a set of interactive moving images based on a series of paintings on the theme of \"Crucifixion\" by Francis Bacon(1909-1992). Starting with the mysterious aesthetic language of Francis Bacon, this work attempts to build dialogues between the virtual and reality, postmodern technology and contemporary authorship, and between machine and human.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"82 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"C. bacon\",\"authors\":\"Wu Jiaru\",\"doi\":\"10.1145/3004257.3004483\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"C. Bacon is a set of interactive moving images based on a series of paintings on the theme of \\\"Crucifixion\\\" by Francis Bacon(1909-1992). Starting with the mysterious aesthetic language of Francis Bacon, this work attempts to build dialogues between the virtual and reality, postmodern technology and contemporary authorship, and between machine and human.\",\"PeriodicalId\":325371,\"journal\":{\"name\":\"SIGGRAPH ASIA 2016 Art Gallery\",\"volume\":\"82 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-11-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SIGGRAPH ASIA 2016 Art Gallery\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3004257.3004483\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SIGGRAPH ASIA 2016 Art Gallery","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3004257.3004483","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
C. Bacon是一组基于弗朗西斯·培根(1909-1992)以“受难”为主题的一系列画作的互动活动图像。作品以培根神秘的美学语言为出发点,试图构建虚拟与现实、后现代技术与当代作者、机器与人之间的对话。
C. Bacon is a set of interactive moving images based on a series of paintings on the theme of "Crucifixion" by Francis Bacon(1909-1992). Starting with the mysterious aesthetic language of Francis Bacon, this work attempts to build dialogues between the virtual and reality, postmodern technology and contemporary authorship, and between machine and human.